Meander, Spiral, Explode
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Jane Alison. Meander, Spiral, Explode
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ALSO BY JANE ALISON
Nine Island
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It took weeks to get a copy, an English translation now. When I opened it in a grocery store checkout line, a name-change for the last narrative’s main figure—legally necessary in the English edition, it turned out—startled me so much that I put the book back down and forgot it under the lettuce: the original name had been my key. Only the next day, when the store reopened, could I recover the book and the theory.
More about this in a later chapter. The point now: Sebald’s Emigrants was the first book to show me a way beyond the causal arc to create powerful forward motion in narrative: motion less inside the story than inside your mind as you construct sense. This motion involved pattern, arising (I later learned) “from the spatial interweavings of images and phrases independent of any time-sequence of narrative action” (Joseph Frank, “The Idea of Spatial Form”). The Butterfly Man was that image.
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