Meander, Spiral, Explode

Meander, Spiral, Explode
Автор книги: id книги: 1933996     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1196,77 руб.     (11,9$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Языкознание Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781948226141 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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[b]A Publishers Weekly Best Book of 2019 [b]One of Poets & Writers ' Best Books for Writers “[A] boundlessly inventive look at narrative form . . . filled with clarity and wit, underlain with formidable erudition.” — Publishers Weekly (starred review) "How lovely to discover a book on the craft of writing that is also fun to read. . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." —Maris Kreizman, Vulture [/b] As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel— one we’re actually told to follow—and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?” W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc— or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.

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Jane Alison. Meander, Spiral, Explode

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ALSO BY JANE ALISON

Nine Island

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It took weeks to get a copy, an English translation now. When I opened it in a grocery store checkout line, a name-change for the last narrative’s main figure—legally necessary in the English edition, it turned out—startled me so much that I put the book back down and forgot it under the lettuce: the original name had been my key. Only the next day, when the store reopened, could I recover the book and the theory.

More about this in a later chapter. The point now: Sebald’s Emigrants was the first book to show me a way beyond the causal arc to create powerful forward motion in narrative: motion less inside the story than inside your mind as you construct sense. This motion involved pattern, arising (I later learned) “from the spatial interweavings of images and phrases independent of any time-sequence of narrative action” (Joseph Frank, “The Idea of Spatial Form”). The Butterfly Man was that image.

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