Art Nouveau

Art Nouveau
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Описание книги

Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, artists such as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists ever since. Art Deco, the successor of Art Nouveau, appeared after World War II.

Оглавление

Jean Lahor. Art Nouveau

I. The Origins of Art Nouveau

England: Cradle of Art Nouveau

Belgium: The Flowering of Art Nouveau

France: A Passion for Art Nouveau

II. Art Nouveau at the 1900 Universal Exposition in Paris

The French Pavilion

The English Pavilion

The American Pavilion

The Belgian Pavilion

The German Pavilion

The Austrian Pavilion

The Hungarian Pavilion

The Dutch Pavilion

The Danish Pavilion

The Swedish and Norwegian Pavilions

The Russian Pavilion

The Finnish Pavilion

The Romanian Pavilion

The Swiss Pavilion

Conclusion

Major Artists

Painting

Fernand Khnopff (Grembergen-lez-Termonde, 1858 – Brussels, 1921)

Jan Toorop (Purworedjo, 1858 – The Hague, 1928)

Aubrey Beardsley (Brighton, 1872 – Menton, 1898)

Eugène Grasset (Lausanne, 1845 – Sceaux, 1917)

Georges de Feure (Paris, 1868–1943)

Alphonse Mucha (Ivancice, 1860 – Prague, 1939)

Gustav Klimt (Vienna, 1862–1918)

Koloman Moser (Vienna, 1868–1918)

Architecture

Victor Horta (Gand, 1861 – Brussels, 1947)

Henry Van de Velde (Anvers, 1863 – Zurich, 1957)

Hector Guimard (Lyon, 1867 – New York, 1942)

Antoni Gaudí (Riudoms, 1852 – Barcelona, 1926)

Decorative Arts

Gustave Serrurier-Bovy (Liège, 1858 – Anvers, 1910)

Louis Majorelle (Toul, 1859 – Nancy, 1926)

Charles Rennie Mackintosh (Glasgow, 1868 – London, 1928)

Louis Comfort Tiffany (New York, 1848–1933)

Emile Gallé (Nancy, 1846–1904)

The Daum brothers: Auguste (Bitche, 1853 – Nancy, 1909) and Antonin (Bitche, 1864 – Nancy, 1930)

René Jules Lalique (Ay, 1860 – Paris, 1945)

Bibliography

Отрывок из книги

Félix Vallotton, L’Art Nouveau, Exposition Permanente, 1896.

Poster for Siegfried Bing’s gallery, colour lithograph, 65 × 45 cm.

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Unsigned, Peacock Table Lamp.

Patinated bronze, glass and enameld glass.

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