Оглавление
Jerome A. Barhydt. Crayon Portraiture
Crayon Portraiture
Table of Contents
PREFACE
CRAYON PORTRAITURE
PHOTOGRAPHIC ENLARGEMENTS
CRAYON MATERIALS
THE SPECIFIC USE OF CRAYON MATERIALS
THE STRAINER
MOUNTING CRAYON PAPER AND PLATINUM. AND SILVER ENLARGEMENTS
MOUNTING BROMIDE ENLARGEMENTS
OUTLINES—NEGATIVE OUTLINE
MAGIC LANTERN OUTLINE
TRANSFER OUTLINE
THE METROSCOPE
THE PANTOGRAPH
FOUR METHODS OF MAKING THE BACKGROUND
FREE-HAND CRAYONS AND THOSE MADE FROM. PHOTOGRAPHIC ENLARGEMENTS
FILLING IN THE FREE-HAND CRAYON
LINE EFFECT
STIPPLE EFFECT
BACKGROUNDS—GENERAL PRINCIPLES
FOOTNOTES:
FIRST METHOD OF MAKING THE BACKGROUND—STUMP EFFECT
SECOND METHOD OF MAKING THE BACKGROUND
THIRD METHOD OF MAKING THE BACKGROUND—LINE EFFECT
FOURTH METHOD OF MAKING THE BACKGROUND—STIPPLE EFFECT
FACE—LINE EFFECT
DRESS—LINE EFFECT
BROMIDE CRAYONS
FINISHING BROMIDE ENLARGEMENTS
MONOCHROMES.[B]
FOOTNOTES:
VALUES
FOOTNOTES:
STUDIO
FRAMING
PASSEPARTOUT MOUNTING
Transparent Liquid Water Colors. for Coloring Photographs
TRANSPARENT LIQUID WATER COLORS. FOR COLORING PHOTOGRAPHS
THEORY OF COLOR
COLORS
YELLOW
BLUE
ROSE
VIOLET
MAGENTA
FLESH
BROWN
BLACK
GOLD
INSTRUCTIONS FOR USING LIQUID WATER COLORS
DRAPERY
LANDSCAPE
THE PRINCIPLE
French Crystals
FRENCH CRYSTALS
MATERIALS
THE METHOD
MOUNTING FRENCH CRYSTALS
FINISHING PHOTOGRAPHS IN INDIA INK
FOOTNOTES:
CONCLUSION
