Marilyn and Me

Marilyn and Me
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‘A beautifully woven page turner’ Heather Morris, author of The Tattooist of AuschwitzA gripping and heartwrenching novel of damage and survival, grief and unexpected solace, Marilyn and Me is a fascinating – and timely – insight into an extraordinary time and placeHow do you translate the present, when you can't let go of the past?It is the winter of 1954 and in the rubble-strewn aftermath of the Korean war Marilyn Monroe has come to Seoul to perform to the US soldiers stationed there. Incongruous in her silk dress and flawless makeup, she sings of seduction and love, dazzling battle-scarred Americans and Koreans alike.Alice, the woman chosen to be Marilyn’s translator, was once Kim Ae-sun, before her name was stolen from her – along with so much else – by the war. With her prematurely grey hair, her fraying lace gloves and the memories that will engulf her if she lets them, Alice works as a typist for the US military. It is a job that has enabled her to survive, and to forget. As they travel across the country, over the four days of Marilyn’s tour, the two women begin to form an unlikely friendship. But when Alice becomes embroiled in a sting operation involving the entrapment of a Communist spy she is forced to confront the past she has been trying so hard to escape.

Оглавление

Ji-min Lee. Marilyn and Me

Copyright

Dedication

Contents

Letter

A Day in the Life of Miss Alice of Seoul

Colonial-Style Romance at the Bando Hotel

Welcome to Seoul, Marilyn Monroe!

The Other Man

The Fateful Triangle

The Return of the First Ghost

A Living Ghost

Seoul Crybaby

Goodbye, Blondes!

Author’s Note

References

About the Author

About the Publisher

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But Yu-ja is unable to convince me to wait and has to run after me without putting the finishing touches to her makeup. Next to fresh, fashionable Yu-ja I look even more grotesque. Yu-ja is a young female cat who’s just learned to twirl her tail, and I’m an old, molting feline who can barely remember the last time she was in heat. I’m not yet thirty but I feel like an old hag who has forgotten everything.

We go down the stairs. Yu-ja tugs my arm at the entrance to the obstetrics clinic; a young girl is squatting in the cold hallway, wearing a quilted skirt, a man’s maroon sweater, and a black woolen scarf wound around her face. Her gaze is feral, sad, and cold, a dizzy tangle of defensiveness and aggression. Yu-ja pulls me along. “She’s a maid for some rich family in Namsan,” she whispers. “Did you hear what happened? The master of the house raped her and now she’s pregnant. Then he and his wife accused her of seducing him, beat her, and threw her out. Apparently she has eight younger siblings back home. She was here yesterday too, asking for help to get rid of it. So many maids are in her situation. I feel bad for them. They try to get rid of it by taking quinine pills—it’s so dangerous.”

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