Timeline Analog 5
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Оглавление
John Buck. Timeline Analog 5
Foreword by Randy Ubillos
Dedication
About the Author
Thanks
Imperfection
Preface
This Edition
1991-1996
Timeline Analog 5
26: Don't give up
THE AUGUST COUP
NUBUS or HBUS
REELTIME
HITCHCOCK
IMMIX AND EDIFLEX DIGITAL
BURGESS AND UBILLOS
QUICKTIME
MEDIA 100 - THE FIRST ATTEMPT
MEDIA BLENDER
PREMIERE 1.0
EDDY AWARDS
AVID VS MONTAGE
CMX-6000
MACROMEDIA
FAST
27: On Randy’s computer
MEDIA 100
DIGITAL F/X
VIDEO FOR WINDOWS
VIDEODIRECTOR
LIGHTWORKS
MEDIA 100
DIGITAL F/X
VIRTUAL REALITY
PREMIERE 2.0
VIDEOVISION AND VIDEOSHOP
ULTIMEDIA 1992
QUICKTIME
AVID'S 500TH SYSTEM
28b The Race to NAB
28: Blowing them away
BERGERS
DIVA AND AVID
ImMIX
SONY DESTINY
HITCHCOCK
MEDIA 100
CHIPS AND VIDEO
ULTIMEDIA
29: Exploding technologies
MEDIA 100
PREMIERE VERSION 3
RADIUS
MEDIA 100
AVID AND RAZORS
HITCHCOCK
SPLANE
TOUCHVISION
30: Simple and True
HITCHCOCK
EMC
MEDIA 100 AND DOLPH
PINNACLE
DESTINY
INTEL AND QUICKTIME
PRE-NAB
31: Whole new landscape. HITCHCOCK
D/VISION PRO
EDIFLEX DIGITAL
MEDIA 100
THE OTHER BERGER
LIGHTWORKS
SCHOONMAKER
VERSION 1.3 AND BEYOND
MACWORLD EXPO 1994
NO MORE CMX
NO MORE EDIFLEX
DIGIDESIGN, ELASTIC AND PARALLAX
32: More gnarly than nostalgic
TOUCHVISION
IN-SYNC AND HITCHCOCK
MEDIA 100 VERSION 2 AND MORE
PREMIERE
KEYGRIP BEGINS
KUB AND ZYDECO
VIDEODIRECTOR
FAST
PINNACLE
RADIUS
APPLE FIXES
SGI
33: A little ambitious. UBILLOS
BORIS FX
MONTAGE
EDIFLEX
LIGHTWORKS
MEDIA 100
D-VISION
DPS
HEAVYWORKS
ImMIX
PINNACLE
PRE-SURVIVOR
PCI
AVID VS MEDIA 100
DESTINY
MEANEY
OSC
34: A revolutionary tool
SPECTRUM
DV
FIREWIRE
NEWS
RADIUS AND RASTEROPS
PINNACLE
AVID CINEMA
MEDIA 100 QX
APPLE AND AMELIO
VFW
MORK AND MINDY
QUICKTIME
Timeline Digital
Отрывок из книги
The Timeline books are dedicated to Adrian Ettlinger (1925– 2013)
Adrian was a brilliant engineer, ground breaking inventor, astute observer and a much loved father during his life and career. In retirement he was a friend, advisor and mentor to me. Adrian is without question the father of nonlinear digital editing and his contributions to the editing field have been recognised by industry bodies and editors alike.
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(Premiere) allows you to create digital “movies” on the desktop is shipping now and demand is overwhelming.
Premiere displayed tracks in filmstrip style, allowing the user to see different strips for different video sources, special effects, superimposed titles, and soundtracks. The user was expected to edit the raw material into a movie, using the Construction window to sequence and manipulate multiple tracks of sounds and images.
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