Timeline Analog 6

Timeline Analog 6
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Timeline Analog 6 (1996-2000) traces the amazing story of editing's evolution. Read how Ubillos, Maltz, Bedell, McKay and Warner defined a new environment for editors. Explore the stories of Final Cut, Pinnacle, D-Vision and others.The Timeline series is often updated at no extra cost.

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John Buck. Timeline Analog 6

Foreword by Ivan Maltz

Dedication

About the author

Thanks

This edition

Timeline 6

35: Very frustrating

KEYGRIP

ImMIX

MEDIA 100 AND AVID

ALLADIN

RADIUS AND UMAX

MACROMEDIA

36: Like a knife game

37: Life and death

LINEAR

NON LINEAR

38: No ifs, buts or maybes

39: Very, very big

40: 99%

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Timeline is dedicated to Adrian Ettlinger (1925 – 2013)

Adrian was a brilliant engineer, ground breaking inventor, astute observer and a much loved father during his life and career. In retirement he was a friend, advisor and mentor to me. Adrian is without question the father of nonlinear digital editing and his contributions to the editing field have been recognised by industry bodies and editors alike.

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It controlled the source camcorder (using LANC, Cntrl-M or IR) and the record VCR (using IR). It was cuts-only. As I got deeper into the detail of what Pinnacle needed to create it was obvious that one of the key pieces of technology that we needed was low-end IR machine control. I figured we could clone this technology and create a new front end.

Out of nowhere Loesch took a lucky break.

.....

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