Real and Phantom Pains: An Anthology of New Russian Drama

Real and Phantom Pains: An Anthology of New Russian Drama
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The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia.<br><br>New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries and community centers in a few chosen hot spots around Russia &mdash; primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century&#39;s second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods and language of the new drama movement.

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John Freedman. Real and Phantom Pains: An Anthology of New Russian Drama

Preface

More than Mere Drama: The Phenomenon of New Russian Drama. An Introduction

Yury Klavdiev

Martial Arts

1

2

3

4

5

6

7

8

Olga Mukhina

Flying

PART ONE. FEAR

PART TWO. AWE

Pavel Pryazhko

Panties

Angry Girl

Vasily Sigarev

Phantom Pains

Maksym Kurochkin

Kitchen

ACT I

ACT II

Mikhail Durnenkov

TRASH

Vyacheslav Durnenkov

Exhibits

Yaroslava Pulinovich

Natasha’s Dream

I Won

Yelena Gremina

One Hour, Eighteen Minutes

Maxim Osipov

Scapegoats

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A collection of this nature requires the efforts and commitment of many individuals and organizations. Real and Phantom Pains: An Anthology of New Russian Drama would not exist without the talents, work and generosity of a large number of friends and colleagues, whom it is my pleasure to name and thank here.

I am especially beholden to translators David M. White (Martial Arts and Panties), Stephen Nunns (One Hour, Eighteen Minutes), Graham Schmidt (Phantom Pains) and Yury Urnov (Martial Arts, Panties and One Hour, Eighteen Minutes), all of whom are accomplished theater practitioners who write, perform and direct. They know the stage and all the nuances that territory implies. Their translations exemplify one of the primary goals of this collection: not only to make contemporary Russian drama accessible to readers, but to make it compelling for performers and their future audiences. These translations are intended to be performed.

.....

GIRL: But he’s alive and trying to talk.

GIRL: Then you go first.

.....

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