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John Galsworthy. Complete Plays of John Galsworthy
Complete Plays of John Galsworthy
Table of Contents
FIRST SERIES:
THE SILVER BOX JOY STRIFE. THE SILVER BOX
A COMEDY IN THREE ACTS. PERSONS OF THE PLAY
ACT I. SCENE I. Rockingham Gate. John Barthwick's dining-room. SCENE II. The same. SCENE III. The same. ACT II. SCENE I. The Jones's lodgings, Merthyr Street. SCENE II. John Barthwick's dining-room. ACT III. A London police court. ACT I
SCENE I
SCENE II
SCENE III
ACT II
SCENE I
SCENE II
ACT III
JOY
A PLAY ON THE LETTER "I" IN THREE ACTS. PERSONS OF THE PLAY
ACT I
ACT II
ACT III
STRIFE
A DRAMA IN THREE ACTS. PERSONS OF THE PLAY
ACT I. The dining-room of the Manager's house
ACT II, SCENE I. The kitchen of the Roberts's cottage near the works. SCENE II. A space outside the works. ACT III. The drawing-room of the Manager's house
ACT I
ACT II
SCENE I
SCENE II
ACT III
GALSWORTHY PLAYS—SECOND SERIES—NO. 1
THE ELDEST SON
BY JOHN GALSWORTHY. PERSONS OF THE PLAY
ACT I SCENE I. The hall; before dinner. SCENE II. The hall; after dinner. ACT II. Lady Cheshire's morning room; after breakfast. ACT III. The smoking-room; tea-time
ACT I
SCENE I
SCENE II
ACT II
ACT III
THE LITTLE DREAM
CHARACTERS
CHARACTERS IN THE DREAM
VOICES AND FIGURES IN THE DREAM
COWBELLS MOUNTAIN AIR FAR VIEW OF ITALY DISTANT FLUME OF STEAM THINGS IN BOOKS MOTH CHILDREN THREE DANCING YOUTHS THREE DANCING GIRLS THE FORMS OF WORKERS THE FORMS OF WHAT IS MADE BY WORK DEATH BY SLUMBER DEATH BY DROWNING FLOWER CHILDREN GOATHERD GOAT BOYS GOAT GOD THE FORMS OF SLEEP. SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
JUSTICE
PERSONS OF THE PLAY
ACT I. The office of James and Walter How. Morning. July. ACT II. Assizes. Afternoon. October. ACT III. A prison. December. SCENE I. The Governor's office. SCENE II. A corridor. SCENE III. A cell. ACT IV. The office of James and Walter How. Morning. March, two years later. CAST OF THE FIRST PRODUCTION
AT THE DUKE OF YORK'S THEATRE, FEBRUARY 21, 1910
ACT I
FALDER. I—I
ACT II
ACT III
SCENE I
SCENE II
Part of the ground corridor of the prison. The walls are coloured with greenish distemper up to a stripe of deeper green about the height of a man's shoulder, and above this line are whitewashed. The floor is of blackened stones. Daylight is filtering through a heavily barred window at the end. The doors of four cells are visible. Each cell door has a little round peep-hole at the level of a man's eye, covered by a little round disc, which, raised upwards, affords a view o f the cell. On the wall, close to each cell door, hangs a little square board with the prisoner's name, number, and record
SCENE III
ACT IV
GALSWORTHY PLAYS—SERIES 3
THE FUGITIVE
PERSONS OF THE PLAY
ACT I. George Dedmond's Flat. Evening
ACT II. The rooms of Malise. Morning. ACT III. SCENE I. The rooms of Malice. Late afternoon. SCENE II. The rooms of Malise. Early Afternoon. ACT IV. A small supper room at "The Gascony."
ACT I
ACT II
CURTAIN. ACT III
SCENE II
SCENE II—The same, early on a winter afternoon, three months later. The room has now a certain daintiness. There are curtains over the doors, a couch, under the window, all the books are arranged on shelves. In small vases, over the fireplace, are a few violets and chrysanthemums. MALISE sits huddled in his armchair drawn close to the fore, paper on knee, pen in hand. He looks rather grey and drawn, and round his chair is the usual litter. At the table, now nearer to the window, CLARE sits working a typewriter. She finishes a line, puts sheets of paper together, makes a note on a card—adds some figures, and marks the total
CURTAIN. ACT IV
THE PIGEON
PERSONS OF THE PLAY
ACT I. Christmas Eve. ACT II. New Year's Day. ACT III. The First of April. ACT I
ACT II
ACT III
THE END. THE MOB
PERSONS OF THE PLAY
A MOB
ACT I. The dining-room of More's town house, evening. ACT II. The same, morning. ACT III. SCENE I. An alley at the back of a suburban theatre. SCENE II. Katherine's bedroom. ACT IV. The dining-room of More's house, late afternoon
ACT I
THE CURTAIN FALLS. ACT. II
THE CURTAIN FALLS. ACT III
SCENE I
VOICES IN THE CROWD
THE CURTAIN FALLS. SCENE II
THE CURTAIN FALLS. ACT IV
AFTERMATH
THE CURTAIN FALLS
A BIT O' LOVE THE FOUNDATIONS THE SKIN GAME. A BIT O' LOVE
PERSONS OF THE PLAY
MICHAEL STRANGWAY BEATRICE STRANGWAY MRS. BRADMERE JIM BERE JACK CREMER MRS. BURLACOMBE BURLACOMBE TRUSTAFORD JARLAND CLYST FREMAN GODLEIGH SOL POTTER MORSE, AND OTHERS IVY BURLACOMBE CONNIE TRUSTAFORD GLADYS FREMAN MERCY JARLAND TIBBY JARLAND BOBBIE JARLAND. SCENE: A VILLAGE OF THE WEST
ACT I. STRANGWAY'S rooms at BURLACOMBE'S. Morning. ACT II. Evening. SCENE I. The Village Inn. SCENE II. The same. SCENE III. Outside the church. ACT III. Evening. SCENE I. STRANGWAY'S rooms. SCENE II. BURLACOMBE'S barn. A BIT O' LOVE
ACT I
ACT II
SCENE I
CURTAIN. SCENE II
CURTAIN. SCENE III
ACT III
SCENE I
CURTAIN. SCENE II
THE FOUNDATIONS
(AN EXTRAVAGANT PLAY) PERSONS OF THE PLAY
LORD WILLIAM DROMONDY, M.P. LADY WILLIAM DROMONDY LITTLE ANNE MISS STOKES MR. POULDER JAMES HENRY THOMAS CHARLES THE PRESS LEMMY OLD MRS. LEMMY LITTLE AIDA THE DUKE OF EXETER
SCENES
SCENE I. The cellar at LORD WILLIAM DROMONDY'S in Park Lane. SCENE II. The room of old MRS. LEMMY in Bethnal Green. SCENE III. Ante-room of the hall at LORD WILLIAM DROMONDY'S
ACT I
CURTAIN. ACT II
CURTAIN. ACT III
LORD W. THEY!
THE SKIN GAME
(A TRAGI-COMEDY)
CHARACTERS
AN AUCTIONEER A SOLICITOR TWO STRANGERS. ACT I. HILLCRIST'S Study
ACT II. SCENE I. A month later. An Auction Room. SCENE II. The same evening. CHLOE'S Boudoir. ACT III. SCENE I. The following day. HILLCRIST'S Study. Morning. SCENE II. The Same. Evening. ACT I
ACT II
SCENE I
SCENE II
CURTAIN. ACT III
SCENE I
SCENE II
CURTAIN. FROM THE SERIES OF SIX SHORT PLAYS
THE FIRST AND THE LAST
A DRAMA IN THREE SCENES. PERSONS OF THE PLAY
SCENE I. KEITH'S Study
SCENE II. WANDA's Room. SCENE III. The Same
SCENE I
CURTAIN. SCENE II
CURTAIN. SCENE III
TWO MONTHS LATER
CURTAIN. THE LITTLE MAN
A FARCICAL MORALITY IN THREE SCENES. CHARACTERS
THE LITTLE MAN. THE AMERICAN. THE ENGLISHMAN. THE ENGLISHWOMAN. THE GERMAN. THE DUTCH BOY. THE MOTHER. THE BABY. THE WAITER. THE STATION OFFICIAL. THE POLICEMAN. THE PORTER. SCENE I
CURTAIN. SCENE II
CURTAIN. SCENE III
CURTAIN
FROM THE SERIES OF SIX SHORT PLAYS
CONTENTS: HALL-MARKED DEFEAT THE SUN PUNCH AND GO. HALL-MARKED
A SATIRIC TRIFLE. CHARACTERS
HALL-MARKED
CURTAIN. DEFEAT
A TINY DRAMA. CHARACTERS
THE OFFICER. THE GIRL. DEFEAT
THE SUN
A SCENE. CHARACTERS
THE GIRL. THE MAN. THE SOLDIER. THE SUN
CURTAIN. PUNCH AND GO
A LITTLE COMEDY
PERSONS OF THE PLAY
OF THE PLAY WITHIN THE PLAY
SCENE: The Stage of a Theatre
PUNCH AND GO
FIFTH SERIES
CONTENTS:
A FAMILY MAN
CHARACTERS
ACT I. SCENE I. BUILDER'S Study. After breakfast. SCENE II. A Studio
ACT II. BUILDER'S Study. Lunchtime. ACT III. SCENE I. THE MAYOR'S Study. 10am the following day. SCENE II. BUILDER'S Study. The same. Noon. SCENE III. BUILDER'S Study. The same. Evening. ACT I
SCENE I
SCENE II
ACT II
CURTAIN. ACT III
SCENE I
SCENE II
SCENE III
LOYALTIES
PERSONS OF THE PLAY
ACT I. SCENE I. CHARLES WINSOR's dressing-room at Meldon Court, near Newmarket, of a night in early October. SCENE II. DE LEVIS'S Bedroom at Meldon Court, a few minutes later
ACT II. SCENE I. The Card Room of a London Club between four and five in the afternoon, three weeks later. SCENE II. The Sitting-room of the DANCYS' Flat, the following morning. ACT III. SCENE I. OLD MR JACOB TWISDEN'S Room at TWISDEN & GRAVITER'S in Lincoln's Inn Fields, at four in the afternoon, three months later. SCENE II. The same, next morning at half-past ten. SCENE III. The Sitting-room of the DANCYS' Flat, an hour later. ACT I
SCENE I
SCENE II
CURTAIN. ACT II
SCENE I
CURTAIN. SCENE II [NOTE.—This should be a small set capable of being set quickly within that of the previous scene.]
ACT III
SCENE I
CURTAIN. SCENE II
CURTAIN. SCENE III
WINDOWS
PERSONS OF THE PLAY
ACT I. Thursday morning. The dining-room-after breakfast. ACT II. Thursday, a fortnight later. The dining-room after lunch. ACT III. The same day. The dining-room-after dinner. ACT I
CURTAIN. ACT II
FAITH. "COSY."
FAITH. I—I—
CURTAIN. ACT III
