The Birth of Modern America, 1914 - 1945
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John McClymer. The Birth of Modern America, 1914 - 1945
Table of Contents
Guide
Pages
The Birth of Modern America, 1914–1945. Paradox and Disillusionment
About the Author
Introduction Modernity and Its Discontents: A Frame for Understanding Twentieth-Century America
Notes
CHAPTER ONE The Second Ku Klux Klan
An American Fascism?
Nordic America Aggrieved
The War Years as a Turning Point in the National Debate over the Meaning of Americanism
The Eighteenth and Nineteenth Amendments: Writing Americanism into the Constitution
The Ironies of Normalcy
Klancraft and Klannishness
Notes
CHAPTER TWO The Declension of Evangelical Protestantism The Scopes Trial, Fundamentalism, and Pentecostalism
Introduction: The Evangelical Crisis
The Loss of Faith in a “Converted Nation” and the Rise of Premillennialism
The “Monkey Trial”
Sister Is Missing!
The “Fundamentals”
The “Acids of Modernity” and Evangelicalism: Some Ironies
Notes
CHAPTER THREE What Sadie Knew The Immigrant Working Girl and the Rise of a Demotic Culture
Notes
CHAPTER FOUR The “Seven Lively Arts” Revisited The Demotic Impulse in Popular Culture. Introduction: Beyond Modernism
Modernist and Demotic Art: Some Initial Differences
Modernist and Demotic Art: Some Further Differences
Modernist and Demotic Efforts to Create a Visual Vocabulary for the Times
“Modern Dance” and Popular Dancing
A Demotic Sense of “Class”
The Comic Impulse in Demotic Art
Of Show Boat and Saints: A Conclusion
Notes
CHAPTER FIVE Passing from Light into Dark
Minstrels Are We
1924 in the Public Life of Worcester, Massachusetts, and in the Rest of the United States
The Norton Company Minstrel Show, Continued
A Jewish American View of Acculturation: The Jazz Singer
“Passing from Dark into Light”: The Career of Warner Oland
Passing as a Cultural Trope
Ethnic Cultures and Mass Media
Notes
CHAPTER SIX Revues and Other Vanities The Commodification of Fantasy in the 1920s
The Keystone Kops Play the Earl Carroll Theatre
The Revue as a Sign of the Times
A Complementary Fantasy
Titillation and the Censor
Bathing Beauties, Bathing Costumes, and Beach Censors
A Real “American Venus”: Louise Brooks, Dancer, Chorus Girl, Flapper, Movie Star
Censoring “the semi‐bacchante of Main Street”
Marketing Fantasy I: Hollywood
Marketing Fantasy II: Madison Avenue
Notes
CHAPTER SEVEN The Great Depression and the New Deal
Putting a Human Face on the Depression
Depression Era Advertisements
Notes
CHAPTER EIGHT World War II
United States Seeks to Stay Out of the “European War”
United States Reverses in the Pacific and the “Relocation” of Japanese and Japanese Americans
1943: A Long, Hot Summer
The Arsenal of Democracy
The Tide Turns
Ending the War
Atomic War
Notes
Index. A
B
C
D
E
F
G
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I
J
K
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Second Edition
JOHN McCLYMER
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And spend the rest of my life in bed
It is worth emphasizing that George M. Cohan was an Irish Catholic and that Irving Berlin (born Israel Baline) was a Russian Jew. The war intensified anti‐Catholic, anti‐Semitic, anti‐black, and anti‐immigrant hatreds. But Catholics, Jews, immigrants, and blacks continued to help shape the popular culture. Lt. James Reese Europe and his Harlem Hellfighters Orchestra, for example, helped launch the popularity of jazz with their recording of “Memphis Blues.”
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