Historical Dictionary of Jazz

Historical Dictionary of Jazz
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Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form.This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and bandleaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.

Оглавление

John S. Davis. Historical Dictionary of Jazz

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Bibliography. Contents. Introduction

Reference and General Works

Early Jazz and New Orleans

Chicago Jazz

Kansas City Jazz

Big Bands and Swing

Bebop

Cool Jazz

Hard Bop

Afro-Cuban

Latin Jazz

Avant-Garde/Free Jazz

Fusion

Other Subgenres

Modern Era

Recording Industry

Analysis

General Biographical

Specific Biographical. Armstrong, Louis

Baker, Chet

Barnet, Charlie

Basie, Count

Bechet, Sidney

Beiderbecke, Bix

Blanchard, Terence

Bley, Paul

Bolden, Buddy

Braxton, Anthony

Brown, Clifford

Brubeck, Dave

Callender, Red

Calloway, Cab

Carter, Benny

Cheatham, Doc

Christian, Charlie

Clayton, Buck

Coleman, Ornette

Coltrane, John

Davis, Miles

Desmond, Paul

Dorsey, Tommy

D’Rivera, Paquito

Eldridge, Roy

Ellington, Duke

Europe, James Reese

Evans, Bill

Evans, Gil

Fitzgerald, Ella

Garner, Errol

Getz, Stan

Gillespie, John “Dizzy”

Goodman, Benny

Hampton, Lionel

Hancock, Herbie

Hawkins, Coleman

Heath, Jimmy

Henderson, Fletcher

Herman, Woody

Hines, Earl

Hinton, Milt

Hodges, Johnny

Holiday, Billie

James, Harry

Jarrett, Keith

Johnson, James P

Johnson, J. J

Jones, Quincy

Kenton, Stan

Konitz, Lee

Krupa, Gene

LaFaro, Scott

Lewis, George

Marsalis, Ellis

Marsalis, Wynton

Marsh, Warne

McRae, Carmen

Miller, Glenn

Mingus, Charles

Monk, Thelonious

Montgomery, Wes

Morgan, Lee

Morton, Jelly Roll

Mulligan, Gerry

Navarro, Theodore “Fats”

Nichols, Red

Parker, Charles

Pastorius, Jaco

Pepper, Art

Peterson, Oscar

Powell, Bud

Rainey, Ma

Reinhardt, Django

Rollins, Sonny

Royal, Marshall

Russell, George

Russell, Pee Wee

Shaw, Artie

Shearing, George

Shorter, Wayne

Silver, Horace

Smith, Bessie

Strayhorn, Billy

Sun Ra

Tatum, Art

Tristano, Lennie

Trumbauer, Frankie

Vaughan, Sarah

Waller, Fats

Webster, Ben

Weston, Randy

Williams, Joe

Williams, Mary Lou

Wilson, Teddy

Young, Lester

Additional Biographical

Jazz and Culture

Bibliographies

Photography

Jazz beyond Borders

Internet Resources

About the Author

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A&M RECORDS

A record company founded by Herb Alpert and Jerry Moss in 1962. Founded primarily as an outlet for Herb Alpert to record and distribute albums for his group the Tijuana Brass, the label had great success in the late 1960s and opened offices overseas. A&M signed several pop groups that would go on to great success. These artists included the Carpenters, the Police, and Cat Stevens. Alpert and Moss decided to sell the label to Polygram Records in 1989, shortly after the success the label generated with Bryan Adams’s smash single “(Everything I Do) I Do It for You.” The label had moderate success with jazz outside of Herb Alpert and some albums of arrangements by Creed Taylor and Don Sebesky, which featured strings and several mainstream jazz artists, including George Benson. A&M produced many recordings of contemporary artists, including Joe Cocker, Sérgio Mendes, Peter Frampton, Joan Baez, Sheryl Crow, and others. Today, A&M’s catalog releases are managed by Verve Records, Universal Music Enterprises, and Interscope.

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A Canadian record label that featured recordings of Duke Ellington and King Oliver during the early 1930s. While the record label was based in Canada, many of the albums were recorded in the United States. Partner companies included Brunswick and Melotone.

AUSTIN HIGH SCHOOL GANG

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