On the Processes for the Production of Ex Libris (Book-Plates)

On the Processes for the Production of Ex Libris (Book-Plates)
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"On the Processes for the Production of Ex Libris (Book-Plates)" by John Vinycomb. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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John Vinycomb. On the Processes for the Production of Ex Libris (Book-Plates)

On the Processes for the Production of Ex Libris (Book-Plates)

Table of Contents

PREFACE

ON THE PROCESSES FOR THE. PRODUCTION OF EX LIBRIS

Introductory

WOOD ENGRAVING

WOOD ENGRAVING AND COPPER-PLATE. ENGRAVING—THE DIFFERENCE

EARLY METHOD OF ENGRAVING ON THE SIDE. OF THE WOOD WITH KNIVES

MODERN WOOD ENGRAVING

MATERIALS AND MODE OF PROCEEDING

ENGRAVING ON COPPER. AND STEEL

THE VARIOUS MODES OF ENGRAVING ON. COPPER AND STEEL-PLATE

1.—LINE ENGRAVING

2.—ETCHING

3.—SOFT-GROUND ETCHING

4.—AQUATINT ENGRAVING

5.—MEZZOTINT ENGRAVING. 6.—STIPPLE ENGRAVING

LITHOGRAPHY

CHROMO-LITHOGRAPHY

PHOTO-LITHOGRAPHY

DRAWING FOR PHOTO-LITHO, AND FOR. PROCESS LINE-BLOCKS

PROCESS BLOCKS

LINE WORK

HALF-TONE PROCESS BLOCKS

PEN AND INK DRAWING

HINTS TO COLLECTORS. OF EX LIBRIS

To distinguish how a book-plate. may have been produced

THE DIFFERENCE IN ENGRAVED OR. CUT LINES, AND ETCHED LINES

TO DISTINGUISH AN IMPRESSION. FROM PLATE

TO DISTINGUISH A WOODCUT, OR LINE PROCESS BLOCK

TO DISTINGUISH A LITHOGRAPH

“AU REVOIR.”

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John Vinycomb

Published by Good Press, 2021

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6.—STIPPLE ENGRAVING.

LITHOGRAPHY.

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