Eating Mammals

Eating Mammals
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Описание книги

Three wonderfully original, linked novellas based on true stories from the winner of the Paris Review's Discovery Award. A new voice from Yorkshire, John Barlow has been compared to Michel Faber and T.C. Boyle. This is his first book.A winged cat wreaks havoc in a Yorkshire workhouse. An autumnal romance between two pork pie makers is celebrated with a donkey wedding. The strange career of Michael 'Cast Iron' Mulligan is revealed by his unlucky apprentice Captain Gusto, both men who eat – and eat anything – for a living. These are the stories that mark the debut of one of fiction's most original and assured new voices. And, remarkably, they all are based on fact.Gypsies, Victorian businessmen, servants, masters and unwise children come together in three gothic and moving novellas of magic and deception. Largely set in the nineteenth century, they combine the satisfactions of the finest novels with a playfulness that does not forfeit humanity. With the comic sensibility of Dickens and a taste for the macabre worthy of Irvine Welsh, John Barlow is a storyteller with a unique imagination who will continue to amaze and entertain us for many years to come.

Оглавление

John Barlow. Eating Mammals

Contents

I

II

III

IV

V

VI

VII

VIII

I

II

Acknowledgements

Copyright

About the Publisher

Отрывок из книги

Eating Mammals

JOHN BARLOW

.....

For the duration of the dinner itself we sat in a back room, glad not to be partaking of the paltry feast which four dozen Freemasons were busy praising through grinning, shiny faces, each one of them eager no doubt to disguise their disappointment. Mulligan decanted six pints of the orange liquid into a tall, vaguely Egyptian-looking jug, and took occasional sips from the one remaining bottle. He explained the part I would play: I would be dumb, although only for effect, not as a stated disability. To this I had no objection, since I am by nature a retiring person, and of course my tongue was still throbbing. I was also beginning to feel unwell, although I would later recognise this as stage fright.

The rumbling, masculine conversation out in the dining hall turned by degrees to a controlled, middle-class raucousness. They sang a song, or perhaps it was a hymn, it was hard to tell, and there were a few short speeches which were greeted with hearty approbation. Then The Great Michael ‘Cast Iron’ Mulligan was introduced, to a combination of polite applause and a good deal of muttering.

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