Landscapes

Landscapes
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Описание книги

With Portraits, world-renowned art writer John Berger took us on a captivating journey through centuries of art, situating each artist in the proper political and historical contexts. In Landscapes, a narrative of Berger’s own journey emerges. Through his penetrating engagement with the writers and artists who shaped his own thought, Walter Benjamin, Rosa Luxemburg and Bertolt Brecht among them, Landscapes allows us to understand how Berger came to his own way of seeing. As always, Berger pushes at the limits of art writing, demonstrating beautifully how his painter’s eyes lead him to refer to himself only as a storyteller. A landscape is, to John Berger, like a portrait, an animating, liberating metaphor rather than a rigid definition. It’s a term, too, that reminds us that there is more here than simply the backdrop or ‘by-work’ of a portrait. Landscapes offers a tour of the history of art, but not as you know it.

Оглавление

John Berger. Landscapes

LANDSCAPES: John Berger on Art

Contents

Introduction: Down with Enclosures

1. Kraków

2. To Take Paper, to Draw

3. The Basis of All Paintingand Sculpture Is Drawing

4. Frederick Antal –A Personal Tribute

5. An Address to DanishWorker Actors on the Artof Observation, by BertoltBrecht, Translated by AnyaRostock and John Berger

6. Revolutionary Undoing: On MaxRaphael’s The Demands of Art

7. Walter Benjamin: Antiquarianand Revolutionary

8. The Storyteller

9. Ernst Fischer: APhilosopher and Death

10. Gabriel García Márquez: TheSecretary of Death Reads It Back

11. Roland Barthes: Inside the Mask

12. Forthflowing on a Joycean Tide

13. A Gift for Rosa Luxemburg

14. The Ideal Critic andthe Fighting Critic

PART II. Terrain

15. The Clarity of the Renaissance

16. A View of Delft

17. The Dilemma of the Romantics

18. The Victorian Conscience

19. The Moment of Cubism

20. Parade, 1917

21. Judgment on Paris

22. Soviet Aesthetic

23. The Biennale

24. Art and Property Now

25. No More Portraits

26. The Historical Functionof the Museum

27. The Work of Art

28. 1968/1979 Preface to Permanent Red (1960)

29. Historical Afterword to the Into Their Labours Trilogy

30. The White Bird

31. The Soul and the Operator

32. The Third Week of August 1991

33. Ten Dispatches aboutPlace (June 2005)

34. Stones (Palestine, June 2003)

35. Meanwhile

Notes

Acknowledgements

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Praise for Portraits

‘John Berger tedaches us how to think, how to feel, how to stare at things until we see what we thought wasn’t there. But above all, he teaches us how to love in the face of adversity. He is a master’

.....

Such as?

Dressing quickly.

.....

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