Collins Complete Photography Course
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John Garrett. Collins Complete Photography Course
Collins Complete Photography Course. John Garrett & Graeme Harris
Table of Contents
Introduction
The story of photography
You and your camera. Camera types
Seeing the big picture
Cellphone camera tips
Getting to grips with your DSLR camera
Read the manual
The menu
Factory presets
Exposure modes
Holding the camera
Preset modes
Quick tip
Playback
Playback tips
Image quality
Understanding ISO
Guide for your ISO settings
Digital quality
Sharpening
Film effects
Film quality
Lenses
Exposure
Quick tip
Quick tip
Flash
White balance
Essentials
Review
Pre-shoot checklist
Exposure. Capturing the light
Seeing the big picture
Choosing the exposure
PROJECT 1. Bracketing
PROJECT 2. High-key photography
PROJECT 3. Low-key photography
PROJECT 4. Sunrise and sunset
PROJECT 5. Silhouettes
PROJECT 6. Multiple exposures
Exposure review
Project 1 Bracketing
Project 2 High-key photography
Project 3 Low-key photography
Project 4 Sunrise and sunset
Project 5 Silhouettes
Project 6 Multiple exposure
Aperture. Using aperture creatively
Seeing the big picture
Depth of field
Quick tips
PROJECT 1. Shooting with a wide-open aperture
PROJECT 2. Using selective focus
PROJECT 3. Stopping down
Quick tip
Aperture review
Shutter. Exploring shutter speeds
Seeing the big picture
Shutter speeds and movement
Quick tip
The peak action
PROJECT 1. Fast shutter speed
Slow shutter speed. PROJECT 2
PROJECT 3. Panning
Movement to camera. PROJECT 4
PROJECT 5. Camera movement
Time exposure. PROJECT 6
Shutter review
Lenses. The creative lens
Seeing the bigger picture
The angle of view
Control of perspective
PROJECT 1. Wide-angle lenses
PROJECT 2. Telephoto lenses
Perspective in portraiture. PROJECT 3
Quick tip
PROJECT 4. Zoom movement
Close-up photography. PROJECT 5
Lenses review
Composition. The leap from a snapshot to a photograph
Seeing the big picture
PROJECT 1. Horizontal or vertical format
Quick tip
PROJECT 2. Filling the frame
Quick tips
Changing your viewpoint. PROJECT 3
PROJECT 4. Perspective
PROJECT 5. Focal points
The rule of thirds. PROJECT 6
Composition review
Project 1 Horizontal or vertical format
Project 2 Filling the frame
Project 3 Changing your viewpoint
Project 4 Perspective
Project 5 Focal points
Project 6 The rule of thirds
Light. The magic ingredient
Seeing the big picture
Time of day
Quick tips
Weather
Single light source
Quick tips
Window light
Quick tips
Making the most of flash
Quick tip
PROJECT 1. Flash in daylight
Night photography. PROJECT 2
Quick tips
PROJECT 3. Candlelight
Photographing on a lightbox. PROJECT 4
Light review
Project 1 Flash in daylight
Project 2 Night photography
Project 3 Candlelight
Project 4 Photographing on a lightbox
Colour. Exploring colour
Seeing the bigger picture
Emotional colour
PROJECT 1. Saturated colour
PROJECT 2. Unsaturated colour
PROJECT 3. Colour relationships
Colour review
Project 1 Saturated colours
Project 2 Unsaturated colours
Project 3 Colour relationships
Filters. Transforming the image
Seeing the big picture
Your filter kit
Quick tip
PROJECT 1. The polarizing filter
PROJECT 2. Graduated filters
PROJECT 3. Diffusing filters
PROJECT 4. Filters on lights
PROJECT 5. Colour correction and enhancement
Filters review
Project 1 The polarizing filter
Project 2 Graduated filters
Project 3 Diffusing filters
Project 4 Filters on lights
Project 5 Colour correction and enhancement
Black and white. The power of black and white
Seeing in black and white
Digital versus darkroom
Seeing the bigger picture
Filters
Colour to black and white
Print quality
Quick tip
Final prints
Toning
Quick tip
PROJECT 1. Red and orange filters
PROJECT 2. Available light
PROJECT 3. Shooting tonal abstracts
Quick tip
PROJECT 4. Sun prints and photograms
Black and white review
Project 1 Red and orange filters
Project 2 Available light
Project 3 Shooting tonal abstracts
Project 4 Sun prints and photograms
Image enhancement. The digital revolution
Seeing the big picture
Quick tip
PROJECT 1. Cropping
PROJECT 2. Colour correction
PROJECT 3. Removing unwanted details
PROJECT 4. Toning
PROJECT 5. Hue/Saturation
PROJECT 6. Adding colour
PROJECT 7. Solarization
PROJECT 8. Posterization
Quick tip
Image enhancement review
Image management. Organizing and displaying your images
Personalized photo gifts
Themes to consider
Further reading
Glossary
Index
Biographies
Acknowledgements
Copyright
About the Publisher
Отрывок из книги
Cover Page
Title Page
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Kodak films start from Kodachrome 64 ISO, the sharpest 35mm fine-grain colour film available. Their Ektachrome range starts from 64 ISO and goes to 400 ISO in steps of 100, 200 and 400 ISO. Kodak also make 64T film, a 64 ISO film which is balanced for use with tungsten light.
Fuji’s slowest colour transparency film is Velvia 50 ISO, which is highly saturated and has fine grain. Velvia is also available at 100 ISO, along with Astia and Provia 100; the latter also comes at 400 ISO. The Velvia films have a warm colour balance, while Asti and Provia are more neutral. Fuji also provide a tungsten-balanced 64 ISO film.
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