Observations Upon the Windward Coast of Africa
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Joseph Corry. Observations Upon the Windward Coast of Africa
Observations Upon the Windward Coast of Africa
Table of Contents
PREFACE
DIRECTIONS TO THE BINDER
ERRATA
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
APPENDIX
No. I
No. II
No. III
SECTION I
SECTION II
SECTION III
SECTION IV
SECTION V
Отрывок из книги
Joseph Corry
Published by Good Press, 2019
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The Grumittas, or free black people, are assembled outside the fort, in houses or huts built with mud, upon the general construction in Africa, which usually is an oblong square, raised little more than eight feet; or a circle of the same height, over which is thrown a roof of bamboo, or other thatch, supported by posts about five or six feet asunder, forming a canopy, which shelters them from the rays of the sun, or the inclemency of the weather, and affords a shade under which they retire in the extreme heat of the day, where they repose in their hammocks, or rest upon their mats. This group of buildings or huts is denominated Adam's Town, from the black chief who presides over these labouring people. Their numbers may be estimated at about 600. Originally they were slaves to the proprietors of this island; but from a very humane and wise policy, they have been endowed with certain privileges, which rescue them from an absolute state of slavery, and prevents their being sold as slaves, unless they are convicted by the laws and customs of their country of some crime or delinquency.
Among these people are artizans in various branches, viz. smiths, carpenters, joiners, masons, &c. under the superintendance of Europeans in their different trades, who for ingenuity and adroitness in their respective capacities, would deserve the approbation even of the connoisseur in these arts; while in many other instances they discover a genius of the most intelligent character, and a decency in their dress and manners distinguished from that among the surrounding tribes; which is the never failing consequence of the influence of the arts of civilized society over barbarous customs and habits.
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