How to Speak and Write Correctly

How to Speak and Write Correctly
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"How to Speak and Write Correctly" by Joseph Devlin. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Joseph Devlin. How to Speak and Write Correctly

How to Speak and Write Correctly

Table of Contents

INTRODUCTION

CHAPTER I

REQUIREMENTS OF SPEECH

Vocabulary—Parts of Speech—Requisites

THE ENGLISH LANGUAGE IN A NUTSHELL

DEFINITIONS

THREE ESSENTIALS

CHAPTER II

ESSENTIALS OF ENGLISH GRAMMAR

Divisions of Grammar—Definitions—Etymology

DIVISIONS OF GRAMMAR

LETTERS

SYLLABLES AND WORDS

THE PARTS OF SPEECH

ARTICLE

NOUN

ADJECTIVE

PRONOUN

THE VERB

TENSE

MOOD

TO BE

VOICE

CONJUGATION

ADVERB

PREPOSITION

CONJUNCTION

INTERJECTION

CHAPTER III

THE SENTENCE

Different Kinds—Arrangement of Words—Paragraph

ARRANGEMENT OF WORDS IN A SENTENCE

SENTENCE CLASSIFICATION

THE PARAGRAPH

CHAPTER IV

FIGURATIVE LANGUAGE

Figures of Speech—Definitions and Examples—Use of Figures

CHAPTER V

PUNCTUATION

Principal Points—Illustrations—Capital Letters

CAPITAL LETTERS

CHAPTER VI

LETTER WRITING

Principles of Letter-Writing—Forms—Notes

THE HEADING

SUBSCRIPTION

ADDRESS

NOTES

FORMAL INVITATIONS

NOTES OF INTRODUCTION

CHAPTER VII

ERRORS

Mistakes—Slips of Authors—Examples and Corrections—Errors of Redundancy

GRAMMATICAL ERRORS OF STANDARD AUTHORS

CHAPTER VIII

PITFALLS TO AVOID

Common Stumbling Blocks—Peculiar Constructions—Misused Forms. ATTRACTION

ELLIPSIS

THE SPLIT INFINITIVE

ONE

ONLY

ALONE

OTHER AND ANOTHER

AND WITH THE RELATIVE

LOOSE PARTICIPLES

BROKEN CONSTRUCTION

DOUBLE NEGATIVE

FIRST PERSONAL PRONOUN

SEQUENCE OF TENSES

BETWEEN—AMONG

LESS—FEWER

FURTHER—FARTHER

EACH OTHER—ONE ANOTHER

EACH, EVERY, EITHER, NEITHER

NEITHER-NOR

NONE

RISE-RAISE

LAY-LIE

SAYS I—I SAID

IN—INTO

EAT—ATE

SEQUENCE OF PERSON

AM COME—HAVE COME

PAST TENSE—PAST PARTICIPLE

PREPOSITIONS AND THE OBJECTIVE CASE

SUMMON—SUMMONS

UNDENIABLE—UNEXCEPTIONABLE

THE PRONOUNS

THAT FOR SO

THESE—THOSE

THIS MUCH—THUS MUCH

FLEE—FLY

THROUGH—THROUGHOUT

VOCATION AND AVOCATION

WAS—WERE

A OR AN

CHAPTER IX

STYLE

Diction—Purity—Propriety—Precision

DICTION

PURITY

PROPRIETY

SIMPLICITY

CLEARNESS

UNITY

STRENGTH

HARMONY

EXPRESSIVE OF WRITER

KINDS OF STYLE

CHAPTER X

SUGGESTIONS

How to Write—What to Write—Correct Speaking and Speakers

CHAPTER XI

SLANG

Origin—American Slang—Foreign Slang

CHAPTER XII

WRITING FOR NEWSPAPERS

Qualification—Appropriate Subjects—Directions

CHAPTER XIII

CHOICE OF WORDS

Small Words—Their Importance—The Anglo-Saxon Element

CHAPTER XIV

ENGLISH LANGUAGE

Beginning—Different Sources—The Present

CHAPTER XV

MASTERS AND MASTERPIECES OF LITERATURE

Great Authors—Classification—The World's Best Books

INDISPENSABLE BOOKS

A GOOD LIBRARY

MASTERPIECES OF AMERICAN LITERATURE

TEN GREATEST AMERICAN POETS

TEN GREATEST ENGLISH POETS

TEN GREATEST ENGLISH ESSAYISTS

BEST PLAYS OF SHAKESPEARE

ONLY THE GOOD

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Joseph Devlin

Published by Good Press, 2019

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STRENGTH

HARMONY

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