A Race So Different

A Race So Different
Автор книги: id книги: 1922565     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 3017,42 руб.     (30,2$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Социология Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780814771617 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded from and included within the national body politic.Bringing together broadly defined forms of performance, from artistic works such as Madame Butterfly to the Supreme Court’s oral arguments in the Cambodian American deportation cases of the twenty-first century, this book invites conversation about how Asian American performance uses the stage to document, interrogate, and complicate the processes of racialization in U.S. law. Through his impressive use of a rich legal and cultural archive, Chambers-Letson articulates a robust understanding of the construction of social and racial realities in the contemporary United States.

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Joshua Chambers-Letson. A Race So Different

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And from the stage, [person] hath been translated to any representer of speech and action, as well in tribunals, as theaters. So that a person, is the same that an actor is, both on the stage and in common conversation; and to personate, is to act or represent himself, or another; and he that acteth another is said to bear his person, or act in his name; (in which sense Cicero useth it where he says, Unus sustineo tres personas; mei, adversarii, et judicis, I bear three persons; my own, my adversary’s, and the judge’s;) and is called in divers occasions, diversely; as a representer, or representative, . . . an actor, and the like.72

Whether the representative is monarch or a member of the House of Representatives, this political figure realizes the unity of the state through the representative practice of acting on behalf of the state’s subjects: “A multitude of men, are made one person, when they are by one man, or one person represented.”73 Read thus through Hobbes, political theater and legal theatrics should not be understood as a distraction from the real stuff of law and politics. Performance and theatricality are central components of both.

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