Digital Photography For Dummies

Digital Photography For Dummies
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Описание книги

Photographers! Your guide is here! The demand for high-quality photographs is higher than ever. Whether you’re building your influencer rating online, capturing the moments of a child’s life, or are looking for ways to improve your skills, photography know-how is a must-have skill.  Digital Photography For Dummies helps you do more than pointing, shooting, and hoping for the best or slapping a filter on a camera phone shot. This book introduces you to the camera settings and techniques that separate okay pictures from frame-worthy portraits. It then explains how to apply those skills to capturing your own portraits, landscape shots, and high-action photos.  Develop a better eye for image composition Discover how to light photos better, including using natural light Learn to get quick results in auto settings or take full control in manual mode Discover the elements of exposure and how they influence the final product Find instructions on taking a formal or casual portrait Apply basic editing techniques to finalize your image Go beyond photo apps and apply the techniques pros use for their images.

Оглавление

Julie Adair King. Digital Photography For Dummies

Digital Photography For Dummies® To view this book's Cheat Sheet, simply go to www.dummies.com and search for “Digital Photography For Dummies Cheat Sheet” in the Search box. Table of Contents

List of Tables

List of Illustrations

Guide

Pages

Introduction

About This Book

How This Book Is Organized

Part 1: Fast Track to Super Snaps

Part 2: Taking Your Photography to the Next Level

Part 3: Pro Tips for Capturing Specific Subjects

Part 4: After the Shot

Part 5: The Part of Tens

Beyond the Book

Icons Used in This Book

Where to Go from Here

Fast Track to Super Snaps

Choosing the Right Camera

Choosing the Right Level of Camera

How much control do you want?

How important is picture quality?

Resolution: How many megapixels?

Image sensor size: Full frame or smaller?

Image file format: JPEG versus Raw

High ISO performance (low-light picture quality)

Lens size, type, and quality

Do you want to use multiple lenses?

Interchangeable-lens cameras

Fixed-lens cameras

Looking at Lenses

Camera compatibility

Lens focal length

Prime versus zoom lenses

Lens aperture range

Minimum focusing distance

Lens weight and size

Lens quality

SO HOW MUCH IS THIS GOING TO COST?

Reviewing a Few Final Camera Features

Shooting modes

Image stabilization

Viewfinder: Optical or electronic?

Optical viewfinders

Electronic viewfinders (EVFs)

Video-recording capabilities

Memory-card features

Convenience features

So … Is It Time for a New Camera?

AVOIDING SHOPPING PITFALLS

Starting Out Right: Setup Do’s and Don’ts

Preparing the Camera

Buying and using memory cards

Choosing the right cards

Maintaining and using cards

Preserving battery power

Working with interchangeable lenses

Choosing Initial Camera Settings

Selecting the exposure (shooting) mode

Setting the shutter-release mode

Setting photo resolution

Pixels and print quality

Pixels and screen images

Pixels and file size

Setting the file type (JPEG or Raw)

JPEG

Camera Raw

DNG: ADOBE'S ANSWER TO RAW INSECURITY

Looking at a Few More Setup Options

Shooting Your First Photos (and Movies)

Looking at Automatic Shooting Modes

Shooting in Auto Mode

WHY WON'T MY CAMERA TAKE THE PICTURE?

Stepping Up to Scene Modes

Portrait mode

Landscape mode

Close-up mode

Sports mode

Recording Movies in Auto Mode

Enabling movie mode

Reviewing recording settings

Recording a movie in Auto mode

Taking Your Photography to the Next Level

Starting to See Like a Photographer

Exploring Composition Basics

Dead center is deadly boring

The rule of thirds

The golden ratio

The golden triangle

Create movement through the frame

Eliminate clutter

Leave some “head room”

Using Depth of Field to Artistic Advantage

Capturing Motion: To Blur or Not to Blur?

Becoming a Student of Light

Exploring New Subjects and Angles

Find a new angle

Notice reflections, patterns, and textures

Look beyond the usual suspects

Taking Control of Exposure

Understanding Exposure

Introducing the exposure trio: Aperture, shutter speed, and ISO

Aperture also affects depth of field

Shutter speed also affects motion blur

ISO also affects image noise

Doing the exposure balancing act

Adjusting f-stop, Shutter Speed, and ISO

Taking advantage of exposure guides

Reading the meter

WHAT'S A “STOP”?

Interpreting a histogram

DISPLAYING HIGHLIGHT ALERTS

Changing the Metering mode

Using “priority” exposure modes

Adjusting Autoexposure Results

Applying exposure compensation

AE Lock (autoexposure lock)

Expanding Tonal Range

Bracketing Exposures

Adding Flash and Other Lights

Enabling and Disabling Built-In Flash

Comparing Built-In and External Flashes

Pros and cons of built-in flashes

Pros and cons of external flash heads

Adjusting Flash Power

Exploring Special Flash Modes

Flash with red-eye reduction

Slow-sync flash

Rear-curtain sync

USING ONE FLASH TO CONTROL OTHERS

Improving Outdoor Photos with Flash

Considering Continuous Lighting

Setting Up a Small Lighting Studio

SHOPPING FOR LIGHTING GEAR

Looking at Simpler (and Cheaper) Lighting Setups

Manipulating Focus and Color

Understanding Autofocus Options

Enabling autofocus

Locating your camera’s focus points

Selecting a focus point or zone

Choosing focus lock or continuous AF

Using the right autofocus technique

ALTERNATIVE AUTOFOCUSING BUTTONS

Focusing Manually

Diagnosing Focus Problems

My entire picture is blurry

The camera moved during the exposure (camera shake)

Focus wasn’t achieved before the shutter was released

Your lens is fogged

The wrong thing is in focus

Moving subjects are blurry

The camera won't focus at all

Playing with Depth of Field

REMEMBER: F AS IN DEPTH OF FIELD

Controlling Color

RGB: A new way of thinking about color

Choosing between sRGB and Adobe RGB

Using white balance to adjust color

White-balance shift

Custom white balancing based on a gray card

WHEN WHITE BALANCE ISN’T TO BLAME

Looking at Picture Presets

Shooting Raw for More Color Control

Pro Tips for Capturing Specific Subjects

Shooting Frame-Worthy Portraits

Starting with a Classic Portrait Recipe

Creating Good Portrait Lighting

Shoot indoor portraits by window light

Catch light with a reflector

Lessen the chances of red-eye in flash portraits

Try slow-sync flash for softer flash lighting

Shoot a subject in silhouette

Use flash to fill in shadows outdoors

DEALING WITH BLINKERS AND EYEGLASSES

Building a Better Backdrop

Capturing More Memorable Portraits

CHECKING OUT SOME COOL LIGHTING SOFTWARE

Photographing Action

Choosing an Action Plan

Freezing Action

Following the classic action recipe

INTERRUPTING CONTINUOUS AUTOFOCUSING

Shooting subjects “moving in place”

Improving your odds of freezing action

Blurring Motion

Panning for Cool Background Effects

Taking in the Scenery

Reviewing a Few Basics

Composition is critical

Lens focal length matters (a lot)

Remember the impact of depth of field

Pick the right exposure mode

Pack a lens filter (or two or three)

Polarizing filters

Neutral density (ND) filters

FIND YOUR FILTER SIZE

Taking a Panoramic View

Photographing Tall Structures

Catching the Night Lights

Capturing Small Wonders

After the Shot

Discovering Cool Playback Features

Switching to Playback Mode

Adjusting the Playback Display

Getting a Close-Up Look at a Photo

Displaying Thumbnails and Calendars

Viewing Shooting Settings (Metadata)

Reading histograms

Displaying highlight alerts (“blinkies”)

Rating, Protecting, and Deleting Files

Rating files

Protecting photos

Deleting files

Checking Out In-Camera Editing Tools

Viewing Photos on a TV

Downloading, Editing, and Sharing Photos

Sorting through Photo Software

Basic (and free) programs

Advanced (and not free) options

Downloading Your Images

Looking at connection options

Completing the download process

Preserving Your Files

Converting Raw Files

Looking at Your Printing Options

Avoiding Printing Pitfalls

Checking resolution: Do you have enough pixels?

Getting print and monitor colors in sync

Preparing Pictures for Online Sharing

Sizing photos for screen display

Saving files in the JPEG format

The Part of Tens

Ten Fixes for Common Photo Flaws

Discover a Few Easy Exposure Fixes

Take Steps to Avoid Blurry Pictures

Scan the Frame Before You Shoot

Blur a Busy Background

Level the Horizon

Crop Away Excess Background

Solve Color Miscues

Turn Down the Noise

Deal with Dust Spots and Lens Flare

Watch Out for Weird Halos

Ten Accessories to Enhance Your Photography

Invest in a Good Camera Bag

Pick a Sturdy Tripod

Consider Smaller Stability Solutions

Find a More Comfortable Camera Strap

Get a Better View of Your Monitor

Download Some Cool Apps

Calibrate Your Monitor with Precision

Dive In with a Waterproof Housing

Treat Your Wrist to a Graphics Tablet

Pick Up a Portable Printer

Index. A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Z

Dedication

About the Author

Author's Acknowledgments

WILEY END USER LICENSE AGREEMENT

Отрывок из книги

A few months ago, while cleaning my office in an attempt to put off sitting down to write, I came across the first edition of Digital Photography For Dummies, published in 1997. Flipping through the pages, I was struck by how much digital photography has changed in the intervening years. Consider these snippets from that first edition:

I could go on, but I think you get the point: Digital photography has come a long way since its early years. What remains the same, however, is that figuring out how to use all the features on your camera can be intimidating. How many megapixels do you really need, for example? What's ISO? And are your pro photographer friends right when they insist that you shoot in the Raw format (whatever that means)?

.....

When considering lenses, pay attention to the specifications outlined in the next sections.

Interchangeable-lens cameras require specific lens types. If you have a Nikon camera body, for example, the lens must have a Nikon mount. That doesn't mean that you have to stick with the manufacturer's lenses; you can get great lenses from third-party makers such as Tamron and Sigma. Again, just make sure that the lens offers the correct mount for your camera (or that you can make it work with an adapter).

.....

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