Digital Photography For Dummies
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Julie Adair King. Digital Photography For Dummies
Digital Photography For Dummies® To view this book's Cheat Sheet, simply go to www.dummies.com and search for “Digital Photography For Dummies Cheat Sheet” in the Search box. Table of Contents
List of Tables
List of Illustrations
Guide
Pages
Introduction
About This Book
How This Book Is Organized
Part 1: Fast Track to Super Snaps
Part 2: Taking Your Photography to the Next Level
Part 3: Pro Tips for Capturing Specific Subjects
Part 4: After the Shot
Part 5: The Part of Tens
Beyond the Book
Icons Used in This Book
Where to Go from Here
Fast Track to Super Snaps
Choosing the Right Camera
Choosing the Right Level of Camera
How much control do you want?
How important is picture quality?
Resolution: How many megapixels?
Image sensor size: Full frame or smaller?
Image file format: JPEG versus Raw
High ISO performance (low-light picture quality)
Lens size, type, and quality
Do you want to use multiple lenses?
Interchangeable-lens cameras
Fixed-lens cameras
Looking at Lenses
Camera compatibility
Lens focal length
Prime versus zoom lenses
Lens aperture range
Minimum focusing distance
Lens weight and size
Lens quality
SO HOW MUCH IS THIS GOING TO COST?
Reviewing a Few Final Camera Features
Shooting modes
Image stabilization
Viewfinder: Optical or electronic?
Optical viewfinders
Electronic viewfinders (EVFs)
Video-recording capabilities
Memory-card features
Convenience features
So … Is It Time for a New Camera?
AVOIDING SHOPPING PITFALLS
Starting Out Right: Setup Do’s and Don’ts
Preparing the Camera
Buying and using memory cards
Choosing the right cards
Maintaining and using cards
Preserving battery power
Working with interchangeable lenses
Choosing Initial Camera Settings
Selecting the exposure (shooting) mode
Setting the shutter-release mode
Setting photo resolution
Pixels and print quality
Pixels and screen images
Pixels and file size
Setting the file type (JPEG or Raw)
JPEG
Camera Raw
DNG: ADOBE'S ANSWER TO RAW INSECURITY
Looking at a Few More Setup Options
Shooting Your First Photos (and Movies)
Looking at Automatic Shooting Modes
Shooting in Auto Mode
WHY WON'T MY CAMERA TAKE THE PICTURE?
Stepping Up to Scene Modes
Portrait mode
Landscape mode
Close-up mode
Sports mode
Recording Movies in Auto Mode
Enabling movie mode
Reviewing recording settings
Recording a movie in Auto mode
Taking Your Photography to the Next Level
Starting to See Like a Photographer
Exploring Composition Basics
Dead center is deadly boring
The rule of thirds
The golden ratio
The golden triangle
Create movement through the frame
Eliminate clutter
Leave some “head room”
Using Depth of Field to Artistic Advantage
Capturing Motion: To Blur or Not to Blur?
Becoming a Student of Light
Exploring New Subjects and Angles
Find a new angle
Notice reflections, patterns, and textures
Look beyond the usual suspects
Taking Control of Exposure
Understanding Exposure
Introducing the exposure trio: Aperture, shutter speed, and ISO
Aperture also affects depth of field
Shutter speed also affects motion blur
ISO also affects image noise
Doing the exposure balancing act
Adjusting f-stop, Shutter Speed, and ISO
Taking advantage of exposure guides
Reading the meter
WHAT'S A “STOP”?
Interpreting a histogram
DISPLAYING HIGHLIGHT ALERTS
Changing the Metering mode
Using “priority” exposure modes
Adjusting Autoexposure Results
Applying exposure compensation
AE Lock (autoexposure lock)
Expanding Tonal Range
Bracketing Exposures
Adding Flash and Other Lights
Enabling and Disabling Built-In Flash
Comparing Built-In and External Flashes
Pros and cons of built-in flashes
Pros and cons of external flash heads
Adjusting Flash Power
Exploring Special Flash Modes
Flash with red-eye reduction
Slow-sync flash
Rear-curtain sync
USING ONE FLASH TO CONTROL OTHERS
Improving Outdoor Photos with Flash
Considering Continuous Lighting
Setting Up a Small Lighting Studio
SHOPPING FOR LIGHTING GEAR
Looking at Simpler (and Cheaper) Lighting Setups
Manipulating Focus and Color
Understanding Autofocus Options
Enabling autofocus
Locating your camera’s focus points
Selecting a focus point or zone
Choosing focus lock or continuous AF
Using the right autofocus technique
ALTERNATIVE AUTOFOCUSING BUTTONS
Focusing Manually
Diagnosing Focus Problems
My entire picture is blurry
The camera moved during the exposure (camera shake)
Focus wasn’t achieved before the shutter was released
Your lens is fogged
The wrong thing is in focus
Moving subjects are blurry
The camera won't focus at all
Playing with Depth of Field
REMEMBER: F AS IN DEPTH OF FIELD
Controlling Color
RGB: A new way of thinking about color
Choosing between sRGB and Adobe RGB
Using white balance to adjust color
White-balance shift
Custom white balancing based on a gray card
WHEN WHITE BALANCE ISN’T TO BLAME
Looking at Picture Presets
Shooting Raw for More Color Control
Pro Tips for Capturing Specific Subjects
Shooting Frame-Worthy Portraits
Starting with a Classic Portrait Recipe
Creating Good Portrait Lighting
Shoot indoor portraits by window light
Catch light with a reflector
Lessen the chances of red-eye in flash portraits
Try slow-sync flash for softer flash lighting
Shoot a subject in silhouette
Use flash to fill in shadows outdoors
DEALING WITH BLINKERS AND EYEGLASSES
Building a Better Backdrop
Capturing More Memorable Portraits
CHECKING OUT SOME COOL LIGHTING SOFTWARE
Photographing Action
Choosing an Action Plan
Freezing Action
Following the classic action recipe
INTERRUPTING CONTINUOUS AUTOFOCUSING
Shooting subjects “moving in place”
Improving your odds of freezing action
Blurring Motion
Panning for Cool Background Effects
Taking in the Scenery
Reviewing a Few Basics
Composition is critical
Lens focal length matters (a lot)
Remember the impact of depth of field
Pick the right exposure mode
Pack a lens filter (or two or three)
Polarizing filters
Neutral density (ND) filters
FIND YOUR FILTER SIZE
Taking a Panoramic View
Photographing Tall Structures
Catching the Night Lights
Capturing Small Wonders
After the Shot
Discovering Cool Playback Features
Switching to Playback Mode
Adjusting the Playback Display
Getting a Close-Up Look at a Photo
Displaying Thumbnails and Calendars
Viewing Shooting Settings (Metadata)
Reading histograms
Displaying highlight alerts (“blinkies”)
Rating, Protecting, and Deleting Files
Rating files
Protecting photos
Deleting files
Checking Out In-Camera Editing Tools
Viewing Photos on a TV
Downloading, Editing, and Sharing Photos
Sorting through Photo Software
Basic (and free) programs
Advanced (and not free) options
Downloading Your Images
Looking at connection options
Completing the download process
Preserving Your Files
Converting Raw Files
Looking at Your Printing Options
Avoiding Printing Pitfalls
Checking resolution: Do you have enough pixels?
Getting print and monitor colors in sync
Preparing Pictures for Online Sharing
Sizing photos for screen display
Saving files in the JPEG format
The Part of Tens
Ten Fixes for Common Photo Flaws
Discover a Few Easy Exposure Fixes
Take Steps to Avoid Blurry Pictures
Scan the Frame Before You Shoot
Blur a Busy Background
Level the Horizon
Crop Away Excess Background
Solve Color Miscues
Turn Down the Noise
Deal with Dust Spots and Lens Flare
Watch Out for Weird Halos
Ten Accessories to Enhance Your Photography
Invest in a Good Camera Bag
Pick a Sturdy Tripod
Consider Smaller Stability Solutions
Find a More Comfortable Camera Strap
Get a Better View of Your Monitor
Download Some Cool Apps
Calibrate Your Monitor with Precision
Dive In with a Waterproof Housing
Treat Your Wrist to a Graphics Tablet
Pick Up a Portable Printer
Index. A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Z
Dedication
About the Author
Author's Acknowledgments
WILEY END USER LICENSE AGREEMENT
Отрывок из книги
A few months ago, while cleaning my office in an attempt to put off sitting down to write, I came across the first edition of Digital Photography For Dummies, published in 1997. Flipping through the pages, I was struck by how much digital photography has changed in the intervening years. Consider these snippets from that first edition:
I could go on, but I think you get the point: Digital photography has come a long way since its early years. What remains the same, however, is that figuring out how to use all the features on your camera can be intimidating. How many megapixels do you really need, for example? What's ISO? And are your pro photographer friends right when they insist that you shoot in the Raw format (whatever that means)?
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When considering lenses, pay attention to the specifications outlined in the next sections.
Interchangeable-lens cameras require specific lens types. If you have a Nikon camera body, for example, the lens must have a Nikon mount. That doesn't mean that you have to stick with the manufacturer's lenses; you can get great lenses from third-party makers such as Tamron and Sigma. Again, just make sure that the lens offers the correct mount for your camera (or that you can make it work with an adapter).
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