Chinese Furniture
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Оглавление
Karen Mazurkewich. Chinese Furniture
Отрывок из книги
Chinese Furniture
Eight-panel interior screen, huanghuali and semiprecious inlay and pierced panels, eighteenth century, North China. Photo courtesy Peter Fung.
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Throughout the centuries, stylistic innovation occurred gradually. The horse hoof evolved from a vigorous low foot in the sixteenth century to a high, square-shaped one in the nineteenth century; the curvilinear aprons of the early Ming were exchanged for straighter aprons, and propitious symbols such as the dragon became more elongated, heavier and less animated (Figs. 24–27).
The most radical style change, however, occurred in the mid-Qing dynasty when the Emperor Qianlong’s taste for ornate carvings percolated from the imperial workshops in Beijing out to the regions (Fig. 28). As Curtis Evarts points out, Qianlong’s taste for the ornate did not revolutionize furniture styles throughout the kingdom, but added another dimension to traditional styles.
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