Chinese Furniture

Chinese Furniture
Автор книги: id книги: 1589330     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2792,79 руб.     (31,36$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Историческая литература Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781462906925 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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The international market for antique Chinese furniture is booming, and masterpieces from the Ming and Qing dynasties are now worth hundreds of thousands of dollars. <i>Chinese Furniture</i> is a survey of these collectibles&#8212;from the very best hardwood pieces featured to standard softwood specimens still available on the Asian market.<br><br>This antique furniture book presents an overview of carving styles, wood types, regional variations, class distinctions and restoration techniques. It includes detailed chapters on various types of wooden furniture cover chairs, stools and benches, tables and desks, beds, cabinets and bookshelves, doors and screens and household accessories.<br><br>With this renewed interest in antique furniture, a forgery market has emerged. Thousands of factories in southern China are churning out brand new or refurbished furniture and passing them off as Chinese antiques. <i>Chinese Furniture</i> unearths these forgeries and serves as an indispensable reference guide for collectors of antique wood furniture.

Оглавление

Karen Mazurkewich. Chinese Furniture

Отрывок из книги

Chinese Furniture

Eight-panel interior screen, huanghuali and semiprecious inlay and pierced panels, eighteenth century, North China. Photo courtesy Peter Fung.

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Throughout the centuries, stylistic innovation occurred gradually. The horse hoof evolved from a vigorous low foot in the sixteenth century to a high, square-shaped one in the nineteenth century; the curvilinear aprons of the early Ming were exchanged for straighter aprons, and propitious symbols such as the dragon became more elongated, heavier and less animated (Figs. 24–27).

The most radical style change, however, occurred in the mid-Qing dynasty when the Emperor Qianlong’s taste for ornate carvings percolated from the imperial workshops in Beijing out to the regions (Fig. 28). As Curtis Evarts points out, Qianlong’s taste for the ornate did not revolutionize furniture styles throughout the kingdom, but added another dimension to traditional styles.

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