The Play of Man - Psychological Purpose of Child's Play

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Karl Groos. The Play of Man - Psychological Purpose of Child's Play

The Play of Man - Psychological Purpose of Child’s Play

Table of Contents

THE SYSTEM OF PLAY

Introduction

PART I. PLAYFUL EXPERIMENTATION

I. Playful Activity of the Sensory Apparatus

1. Sensations of Contact

2. Sensations of Temperature

3. Sensations of Taste

4. Sensations of Smell

5. Sensations of Hearing37

(a) Receptive Sound-Play

(b) Productive Sound-Play

6. Sensations of Sight

(a) Sensations of Brightness

(b) The Perception of Colour

(c) Perception of Form

(d) Perception of Movement

II. Playful Use of the Motor Apparatus

A. PLAYFUL MOVEMENT OF THE BODILY ORGANS

B. PLAYFUL MOVING OF FOREIGN BODIES

1. Hustling Things about

2. Destructive (Analytic) Movement-Play

3. Constructive (Synthetic) Movement-Play

4. Playful Exercise of Endurance

5. Throwing Plays

(a) Simple Throwing

(b) Throwing with the Help of a Stroke or Blow

(c) Rolling, Spinning, Shoving, and Skipping Foreign Bodies

(d) Throwing at a Mark

6. Catching

III. Playful Use of the Higher Mental Powers

A. EXPERIMENTATION WITH THE MENTAL POWERS

1. Memory (a) Recognition

(b) Reflective Memory

2. Imagination

(a) Playful Illusion

(b) Playful Transformation of the Memory-Content

3. Attention

4. Reason

B. EXPERIMENTATION WITH THE FEELINGS

1. Physical Pain

2. Mental Suffering

3. Surprise

4. Fear

C. EXPERIMENTATION WITH THE WILL

PART II. THE PLAYFUL EXERCISE OF IMPULSES OF THE SECOND OR SOCIONOMIC358 ORDER

I. Fighting Play

1. Direct Physical Fighting Play

2. Direct Mental Contests

3. Physical Rivalry

4. Mental Rivalry

5. The Destructive Impulse

6. Teasing451

7. Enjoyment of the Comic

8. Hunting Play

9. Witnessing Fights and Fighting Plays. The Tragic

II. Love Play

1. Natural Courtship Play

2. Love Play in Art

3. The Comic of Sex

III. Imitative Plays

1. Playful Imitation of Simple Movements (a) Optical Percepts

(b) Playful Imitation of Acoustic Percepts

2. Dramatic Imitation in Play

3. Plastic or Constructive Imitative Play

4. Inner Imitation

IV. Social Plays

PART III. THE THEORY OF PLAY

1. The Physiological Standpoint

2. The Biological Standpoint

3. The Psychological Standpoint

4. The Æsthetic Standpoint

5. The Sociological Standpoint

6. The Pedagogical Standpoint

FOOTNOTES:

Отрывок из книги

Karl Groos

OK Publishing, 2020

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Kalbsköpf und Kabisköpf kochen?”

“Round the rugged riven rock the ragged rascal rapid ran.”

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