The Eighteenth Brumaire of Louis Bonaparte

The Eighteenth Brumaire of Louis Bonaparte
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The Eighteenth Brumaire of Louis Napoleon (Der 18te Brumaire des Louis Napoleon) is an essay written by Karl Marx. This essay discusses the French coup of 1851 in which Louis-Napoléon Bonaparte assumed dictatorial powers but refers to the Coup of 18 Brumaire in which Napoleon Bonaparte seized power in revolutionary France (9 November 1799, or 18 Brumaire Year VIII in the French Republican Calendar), in order to contrast it with the coup of 1851. It shows Marx in his form as a social and political historian, treating actual historical events from the viewpoint of his materialist conception of history.

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Karl Marx. The Eighteenth Brumaire of Louis Bonaparte

The Eighteenth Brumaire of Louis Bonaparte

Table of Contents

Translator's Preface

THE EIGHTEENTH BRUMAIRE OF LOUIS BONAPARTE

I

II

III

IV

V

VI

VII

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Karl Marx

e-artnow, 2020

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True enough, the defeat of the June insurgents prepared, leveled the ground, upon which the bourgeois republic could be founded and erected; but it, at the same time, showed that there are in Europe other issues besides that of "Republic or Monarchy." It revealed the fact that here the Bourgeois Republic meant the unbridled despotism of one class over another. It proved that, with nations enjoying an older civilization, having developed class distinctions, modern conditions of production, an intellectual consciousness, wherein all traditions of old have been dissolved through the work of centuries, that with such countries the republic means only the political revolutionary form of bourgeois society, not its conservative form of existence, as is the case in the United States of America, where, true enough, the classes already exist, but have not yet acquired permanent character, are in constant flux and reflux, constantly changing their elements and yielding them up to one another where the modern means of production, instead of coinciding with a stagnant population, rather compensate for the relative scarcity of heads and hands; and, finally, where the feverishly youthful life of material production, which has to appropriate a new world to itself, has so far left neither time nor opportunity to abolish the illusions of old. [#3 This was written at the beginning of 1852.]

All classes and parties joined hands in the June days in a "Party of Order" against the class of the proletariat, which was designated as the "Party of Anarchy," of Socialism, of Communism. They claimed to have "saved" society against the "enemies of society." They gave out the slogans of the old social order—"Property, Family, Religion, Order"—as the passwords for their army, and cried out to the counter-revolutionary crusaders: "In this sign thou wilt conquer!" From that moment on, so soon as any of the numerous parties, which had marshaled themselves under this sign against the June insurgents, tries, in turn, to take the revolutionary field in the interest of its own class, it goes down in its turn before the cry: "Property, Family, Religion, Order." Thus it happens that "society is saved" as often as the circle of its ruling class is narrowed, as often as a more exclusive interest asserts itself over the general. Every demand for the most simple bourgeois financial reform, for the most ordinary liberalism, for the most commonplace republicanism, for the flattest democracy, is forthwith punished as an "assault upon society," and is branded as "Socialism." Finally the High Priests of "Religion and Order" themselves are kicked off their tripods; are fetched out of their beds in the dark; hurried into patrol wagons, thrust into jail or sent into exile; their temple is razed to the ground, their mouths are sealed, their pen is broken, their law torn to pieces in the name of Religion, of Family, of Property, and of Order. Bourgeois, fanatic on the point of "Order," are shot down on their own balconies by drunken soldiers, forfeit their family property, and their houses are bombarded for pastime—all in the name of Property, of Family, of Religion, and of Order. Finally, the refuse of bourgeois society constitutes the "holy phalanx of Order," and the hero Crapulinsky makes his entry into the Tuileries as the "Savior of Society."

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