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Karl Wilson Gehrkens. Music Notation and Terminology
Music Notation and Terminology
Table of Contents
PREFACE
CHAPTER I
Some Principles of Correct Notation
CHAPTER II
Symbols of Music Defined
CHAPTER III
Symbols of Music Defined (Continued)
CHAPTER IV
Abbreviations, Signs, Etc
CHAPTER V
Abbreviations, Signs, Etc., (Continued)
CHAPTER VI
Embellishments
CHAPTER VII
Scales
CHAPTER VIII
Scales (Continued)
CHAPTER IX
Auxiliary Words and Endings
CHAPTER X
Measure
CHAPTER XI
Tempo
CHAPTER XII
Tempo (Continued)
CHAPTER XIII
Dynamics
CHAPTER XIV
Terms Relating to Forms and Styles
CHAPTER XV
Terms Relating to Forms and Styles (Continued)
CHAPTER XVI
Terms Relating to Vocal Music
CHAPTER XVII
Rhythm, Melody, Harmony and Intervals
CHAPTER XVIII
Chords, Cadences, Etc
CHAPTER XIX
Miscellaneous Terms
CHAPTER XX
Miscellaneous Terms (Continued)
APPENDIX A
The History of Music Notation
APPENDIX B
Musical Instruments
APPENDIX C
Acoustics
APPENDIX D
Terminology Reform
APPENDIX E
Sonata Op. 31, No. 3 by Beethoven
INDEX
FOOTNOTES
Отрывок из книги
Karl Wilson Gehrkens
Published by Good Press, 2019
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Fig. 30 illustrates the more common variety of tie, while Fig. 31 shows an example of the enharmonic[10] tie.
55. The slur is used in so many different ways that it is impossible to give a general definition. It consists of a curved line, sometimes very short (in which case it looks like the tie), but sometimes very long, connecting ten, fifteen, or more notes. Some of the more common uses of the slur are:
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