Across Patagonia

Across Patagonia
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Across Patagonia is a travel narrative written by Lady Florence Dixie, Scottish writer and feminist. She left her aristocratic life and her children behind in England, and set out to travel, accompanied by her two brothers, her husband, and a family friend who served as a guide. Dixie debated going elsewhere, but chose Patagonia because few Europeans had ever set foot there. Dixie paints a picture of the landscape using techniques reminiscent of the Romantic tradition of William Wordsworth and others, using emotion and physical sensation to connect to the natural world. While she describes the land as «uninviting and feared territory,» Dixie's actions demonstrate that survival in a wild land requires both strength and agency. During her travels in Patagonia, Dixie is «active, hardy, and resilient», rejecting Victorian gender constructs that depicted women as weak and in need of protection.

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Lady Florence Dixie. Across Patagonia

Across Patagonia

Table of Contents

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

CHAPTER XVII

CHAPTER XVIII

CHAPTER XIX

CHAPTER XX

CHAPTER XXI

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Lady Florence Dixie

e-artnow, 2020

.....

I was quite thankful when we at last got safely clear of the town. The road lay amongst the most beautiful scenery, and the heat, though considerable, was not oppressive enough to interfere with my enjoyment of it. After a couple of hours' driving we halted to give the mules a rest near a little brook, which came rippling out from the shady mass of vegetation which lined the road. I sat down under a banana tree, letting my eyes wander in lazy admiration over the scene at our feet. We had gradually got to a good height above Rio, and through a frame of leaves and flowers I could see the town, the blue bay studded with tiny green islands, and beyond, the rugged mountains, with a light mist hanging like a silver veil over their purple slopes.

When the mules were sufficiently rested we got into the carriage, and starting at a brisk trot, it was not long before we got to the summit of a hill, at the foot of which, in a little valley, lies Tijuca. Before reaching it a rather stiff incline had to be descended, and one of the wheelers, either blown or obstinate, refused to hold the carriage back. The driver insisted that the animal was only showing temper, and commenced to flog it. Foreseeing the result, we all got out of the carriage, and left the man to his own devices. He persisted in whipping the recalcitrant mule, and, as might have been expected, he presently started the other animals off at full gallop, leaving their comrade the option of following suit or falling. It chose the latter course, and after a good deal of slipping and sliding, went down with a tremendous crash. The other three, taking fright, immediately bolted, and we soon lost sight of carriage and driver in a cloud of dust. We followed on down the hill as fast as we could, rather anxious for the safety of the driver. Here and there, as we hurried along, we came across a piece of broken harness, and presently, on turning a sharp corner, we suddenly came upon the overturned carriage, the mules struggling and kicking in a confused heap, and the driver, unhurt but frightened, sitting in the grass by the side of the road. Assistance having been procured from Tijuca, which was close at hand, the mules were freed, and the carriage raised off the dragged mule, which we expected to find killed. To our surprise, however, no sooner were its limbs at liberty than it sprang up and began to crop the grass in utter unconcern as to the numerous wounds all over its body. A horse in such a state would have been completely cowed, and would probably never have been of any use again.

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