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LEILA S. CHUDORI spent six years researching this groundbreaking novel, interviewing exiles and their families in Paris and Jakarta, basing her characters on these real individuals, trapped in the tides of history. The novel’s central character, Dimas Suryo, abroad in 1965 and unable to return to Indonesia after Suharto’s rise to power, winds up in Paris, where he helps found a restaurant, based on the real Restaurant Indonesia, a place to join and celebrate their longed-for home culture through food, dance, and song, while suffering a lifetime of homelessness away from Indonesia. In another narrative strand of the novel, Lintang Utara, Suryo’s daughter with a Frenchwoman, arrives in Jakarta in 1998 for her thesis in film studies just as the student protests that bring down Suharto get underway. Father and daughter each become central characters in the history of Indonesia’s tragic 20th century, marking the rise and fall of a brutal dictatorship.
PROLOGUE:
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Why are they doing this, Om Dimas? Why are these people being tortured? And why do they keep interrogating Mother, asking her questions she cannot answer? I hear them shouting at her, asking over and over whether she knew what Bapak was up to. They’re always shouting, always angry. They can’t seem to speak in a normal tone of voice. Why do they have to shout?
I’m so sad and so afraid. Bulan is so young that all she can do is to follow me around wherever I go. And Alam is just a baby. Once they let Mother feed him but then, right afterwards, called her back into the room for more questions and to be shouted at again.
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