The Kreutzer Sonata & The Death of Ivan Ilyich

The Kreutzer Sonata & The Death of Ivan Ilyich
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Ivan Ilyich lives a carefree life that is «most simple and most ordinary and therefore most terrible». Like everyone he knows, he spends his life climbing the social ladder. Enduring marriage to a woman whom he often finds too demanding, he works his way up to be a magistrate. While hanging curtains for his new home one day, he falls awkwardly and hurts his side. Though he does not think much of it at first, he begins to suffer from a pain in his side. As his discomfort grows, his behavior towards his family becomes more irritable. "The Kreutzer Sonata" is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife: in his analysis, the root causes for the deed were the «animal excesses» and «swinish connection» governing the relation between the sexes.

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Leo Tolstoy. The Kreutzer Sonata & The Death of Ivan Ilyich

The Kreutzer Sonata & The Death of Ivan Ilyich

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Table of Contents

The Death of Ivan Ilyich

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

The Kreutzer Sonata

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

CHAPTER XVII

CHAPTER XVIII

CHAPTER XIX

CHAPTER XX

CHAPTER XXI

CHAPTER XXII

CHAPTER XXIII

CHAPTER XXIV

CHAPTER XXV

CHAPTER XXVI

CHAPTER XXVII

CHAPTER XXVIII

LESSON OF "THE KREUTZER SONATA."

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Leo Tolstoy

Two Psychological Novellas

.....

The last time he had called on Ivan Ilych, Peter Ivanovich had seen Gerasim in the study. Ivan Ilych had been particularly fond of him and he was performing the duty of a sick nurse. Peter Ivanovich continued to make the sign of the cross slightly inclining his head in an intermediate direction between the coffin, the Reader, and the icons on the table in a corner of the room. Afterwards, when it seemed to him that this movement of his arm in crossing himself had gone on too long, he stopped and began to look at the corpse.

The dead man lay, as dead men always lie, in a specially heavy way, his rigid limbs sunk in the soft cushions of the coffin, with the head forever bowed on the pillow. His yellow waxen brow with bald patches over his sunken temples was thrust up in the way peculiar to the dead, the protruding nose seeming to press on the upper lip. He was much changed and grown even thinner since Peter Ivanovich had last seen him, but, as is always the case with the dead, his face was handsomer and above all more dignified than when he was alive. The expression on the face said that what was necessary had been accomplished, and accomplished rightly. Besides this there was in that expression a reproach and a warning to the living. This warning seemed to Peter Ivanovich out of place, or at least not applicable to him. He felt a certain discomfort and so he hurriedly crossed himself once more and turned and went out of the door—too hurriedly and too regardless of propriety, as he himself was aware.

.....

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