Staging Ground

Staging Ground
Автор книги: id книги: 1603932     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2010,5 руб.     (20,1$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Биографии и Мемуары Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780271077468 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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In this poignant and personal history of one of America’s oldest theaters, Leslie Stainton captures the story not just of an extraordinary building but of a nation’s tumultuous struggle to invent itself. Built in 1852 and in use ever since, the Fulton Theatre in Lancaster, Pennsylvania, is uniquely ghosted. Its foundations were once the walls of a colonial jail that in 1763 witnessed the massacre of the last surviving Conestoga Indians. Those same walls later served to incarcerate fugitive slaves. Staging Ground explores these tragic events and their enduring resonance in a building that later became a town hall, theater, and movie house—the site of minstrel shows, productions of Uncle Tom’s Cabin , oratory by the likes of Thaddeus Stevens and Mark Twain, performances by Buffalo Bill and his troupe of “Wild Indians,” Hollywood Westerns, and twenty-first-century musicals. Interweaving past and present, private anecdote and public record, Stainton unfolds the story of this emblematic space, where for more than 250 years Americans scripted and rescripted their history. Staging Ground sheds light on issues that continue to form us as a people: the evolution of American culture and faith, the immigrant experience, the growth of cities, the emergence of women in art and society, the spread of advertising, the flowering of transportation and technology, and the abiding paradox of a nation founded on the principle of equality for “all men,” yet engaged in the slave trade and in the systematic oppression of the American Indian.

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Leslie Stainton. Staging Ground

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STAGING GROUND

STAGING GROUND

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Likewise at the Fulton, patrons of Our American Cousin must have felt a frisson when George W. Harrison, as Asa Trenchard, the play’s hapless Yankee hero, spoke the very words actor Henry Hawk had uttered at Ford’s just before Lincoln was shot: “Wal, I guess I know enough to turn you inside out, you sockdologizing old man-trap.” Lest Lancastrians forget the horror of that moment, the Evening Express had published an account of it the day before the performance, noting how Hawk’s hilarious delivery had given way to the crack of a pistol and then chaos.

Now they were reliving the instant here in Lancaster, imagining the president in his box, the audience shouting, “Who was he?” and “Hang him!,” as the villain Booth, clad in black, leapt to the stage, and Hawk fled, afraid Booth would stab him. Later that February evening, as they made their way home along Lancaster’s gaslit streets or stopped for a glass of beer at Henry Struble’s Fulton Hall Restaurant, members of the Fulton crowd may have pondered the irony that it was an actor, of all people, who had conjured the shocking finale to the long war. As Thaddeus Stevens would observe, “In the midst of the most exquisite enjoyment of his favorite relaxation, [Lincoln] was instantaneously taken away.” That too was part of the theater’s spell.

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