Читать книгу The Knight Of Gwynne, Vol. 1 - Lever Charles James - Страница 1

PREFACE

I wrote this story in the Tyrol. The accident of my residence there was in this wise: I had travelled about the Continent for a considerable time in company with my family with my own horses. Our carriage was a large and comfortable calèche, and our team, four horses; the leaders of which, well-bred and thriving-looking, served as saddle horses when needed.

There was something very gypsy-like in this roving, uncertain existence, that had no positive bent or limit, and left every choice of place an open question, that gave me intense enjoyment. It opened to me views of Continental life, scenery, people and habits I should certainly never have attained to by other modes of travel.

Not only were our journeys necessarily short each day, but we frequently sojourned in little villages, and out-of-the-world spots, where, if pleased by the place itself, and the accommodation afforded, we would linger on for days, having at our disposal the total liberty of our time, and all our nearest belongings around us.

In the course of these rambles we had arrived at the town of Bregenz, on the Lake of Constance; where the innkeeper, to whom I was known, accosted me with all the easy freedom of his calling, and half-jestingly alluded to my mode of travelling as a most unsatisfactory and wasteful way of life, which could never turn out profitably to myself or to mine. From the window where we were standing as we talked, I could descry the tall summit of an ancient castle, or schloss, about two miles away; and rather to divert my antagonist from his argument than with any more serious purpose, I laughingly told my host, if he could secure me such a fine old chateau as that I then looked at, I should stable my nags and rest where I was. On the following day, thinking of nothing less than my late conversation, the host entered my room to assure me that he had been over to the castle, had seen the baron, and learned that he would have no objection to lease me his chateau, provided I took it for a fixed term, and with all its accessories, not only of furniture but cows and farm requisites. One of my horses, accidentally pricked in shoeing, had obliged me at the moment to delay a day or two at the inn, and for want of better to do, though without the most remote intention of becoming a tenant of the castle, I yielded so far to my host’s solicitation, – to walk over and see it.

If the building itself was far from faultless it was spacious and convenient, and its position on a low hill in the middle of a lawn finer than anything I can convey; the four sides of the schloss commanding four distinct and perfectly dissimilar views. By the north it looked over a wooded plain, on which stood the Convent of Mehreran; and beyond this, the broad expanse of the Lake of Constance. The south opened a view towards the Upper Rhine, and the valley that led to the Via Mala. On the east you saw the Gebhardsberg and its chapel, and the lovely orchards that bordered Bregenz; while to the west rose the magnificent Lenten and the range of the Swiss Alps, – their summits lost in the clouds.

I was so enchanted by the glorious panorama around me, and so carried away by the thought of a life of quiet labor and rest in such a spot, that after hearing a very specious account of the varied economies I should secure by this choice of a residence, and the resources I should have in excursions on all sides, that I actually contracted to take the chateau, and became master of the Rieden Schloss from that day.

Having thus explained by what chance I came to pitch my home in this little-visited spot, I have no mind to dwell further on my Tyrol experiences than as they concern the story which I wrote there.

If the scene in which I was living, the dress of the peasants, the daily ways and interests had been my prompters, I could not have addressed myself to an Irish theme; but long before I had come to settle at Predeislarg, when wandering amongst the Rhine villages, on the vine-clad slopes of the Bergstrasse, I had been turning over in my mind the Union period of Ireland as the era for a story. It was a time essentially rich in the men we are proud of as a people, and peculiarly abounding in traits of self-denial and devotion which, in the corruption of a few, have been totally lost sight of; the very patriotism of the time having been stigmatized as factious opposition, or unreasoning resistance to wiser counsels. That nearly every man of ability in the land was against the Minister, that not only all the intellect of Ireland, but all the high spirit of its squirearchy, and the generous impulses of its people, were opposed to the Union, – there is no denying. If eloquent appeal and powerful argument could have saved a nation, Henry Grattan or Plunkett would not have spoken in vain; but the measure was decreed before it was debated, and the annexation of Ireland was made a Cabinet decision before it came to Irishmen to discuss it.

I had no presumption to imagine I could throw any new light on the history of the period, or illustrate the story of the measure by any novel details; but I thought it would not be uninteresting to sketch the era itself; what aspect society presented; how the country gentleman of the time bore himself in the midst of solicitations and temptings the most urgent and insidious; what, in fact, was the character of that man whom no national misfortunes could subdue, no Ministerial blandishments corrupt; of him, in short, that an authority with little bias to the land of his birth has called, —The First Gentleman of Europe.

I know well, I feel too acutely, how inadequately I have pictured what I desired to paint; but even now, after the interval of years, I look back on my poor attempt with the satisfaction of one whose aim was not ignoble. A longer and deeper experience of life has succeeded to the time since I wrote this story, but in no land nor amongst any people have I ever found the type of what we love to emblematize by the word Gentleman, so distinctly marked out as in the educated and travelled Irishman of that period. The same unswerving fidelity of friendship, the same courageous devotion to a cause, the same haughty contempt for all that was mean or unworthy; these, with the lighter accessories of genial temperament, joyous disposition, and a chivalrous respect for women, made up what I had at least in my mind when I tried to present to my readers my Knight of Gwynne.

That my character of him was not altogether ideal, I can give no better proof than the fact that during the course of the publication I received several letters from persons unknown to me, asking whether I had not drawn my portrait from this or that original, several concurring in the belief that I had taken as my model The Knight of Kerry, whose qualities, I am well assured, fully warranted the suspicion.

For my attempt to paint the social habits of the period, I had but to draw on my memory. In my boyish days I had heard much of that day, and was familiar with most of the names of its distinguished men. Anecdotes of Henry Grattan, Flood, Parsons, Ponsonby, and Curran jostled in my mind with stories of their immediate successors, the Bushes and the Plunketts, whose fame has come down to the very day we live in. As a boy, it was my fortune to listen to the narratives of the men who had been actors in the events of that exciting era, and who could even show me in modern Dublin the scenes where memorable events occurred, and not unfrequently the very houses where celebrated convivialities occurred. And thus from Drogheda Street, the modern Sackville Street, where the beaux of the day lounged in all their bravery, to the Circular road, where a long file of carriages, six in hand, evidenced the luxury and tone of display of the capital. I was deeply imbued with the features of the time, and ransacked the old newspapers and magazines with a zest which only great familiarity with the names of the leading characters could have inspired.

Though I have many regrets on the same score, there is no period of my life in which I have the same sorrow for not having kept some sort of note-book, instead of trusting to a memory most fatally unretentive and uncertain. Through this omission I have lost traces of innumerable epigrams, and jeux d’esprit of a time that abounded in such effusions, and even where my memory has occasionally relieved the effort, I have forgotten the author. To give an instance, the witty lines, —

which, wrongfully attributed to a political leader in the Irish house, were in reality written by Lovel Edgeworth on the well-known Sir William Gladowes, who became Lord Newcomen; and the verse was not only poetry but prophecy, for in his bankruptcy some years afterwards the sarcasm became fact, – “his money was but paper.”

This circumstance of the authorship was communicated to me by Miss Maria Edgeworth, whose letter was my first step in acquaintance with her, and gave me a pleasure and a pride which long years have not been able to obliterate.

I remember in that letter her having told me how she was in the habit of reading my story aloud to the audience of her nephews and nieces; a simple announcement that imparted such a glow of proud delight to me, that I can yet recall the courage with which I resumed the writing of my tale, and the hope it suggested of my being able one day to win a place of honor amongst those who, like herself, had selected Irish traits as the characteristics to adorn fiction.

For Con Heffernan I had an original. For Bagenal Daly, too, I was not without a model. His sister is purely imaginary, but that she is not unreal I am bold enough to hope, since several have assured me that they know where I found my type. In my brief sketch of Lord Castlereagh I was not, I need scarcely say, much aided by the journals and pamphlets of the time, where his character and conduct were ruthlessly and most falsely assailed. It was my fortune, however, to have possessed the close intimacy of one who had acted as his private secretary, and whose abilities have since raised him to high station and great employment; and from him I came to know the real nature of one of the ablest statesmen of his age, as he was one of the most attractive companions, and most accomplished gentlemen. I have no vain pretence to believe that by my weak and unfinished sketch I have in any way vindicated the Minister who carried the Union against the attacks of his opponents, but I have tried at least to represent him such as he was in the society of his intimates; his gay and cheerful temperament, his frank nature, and what least the world is disposed to concede to him, his sincere belief in the honesty of men whose convictions were adverse to him, and who could not be won over to his opinions.

I have not tried to conceal the gross corruption of an era which remains to us as a national shame, but I would wish to lay stress on the fact that not a few resisted offers and temptations, which to men struggling with humble fortune, and linked for life with the fate of the weaker country, must redound to their high credit. All the nobler their conduct, as around them on every side were the great names of the land trafficking for title and place, and shamelessly demanding office for their friends and relatives as the price of their own adhesion.

For that degree of intimacy which I have represented as existing between Bagenal Daly and Freney the robber, I have been once or twice reprehended as conveying a false and unreal view of the relations of the time; but the knowledge I myself had of Freney, his habits and his exploits, were given to me by a well-known and highly-connected Irish gentleman, who represented a county in the Irish Parliament, and was a man of unblemished honor, conspicuous alike in station and ability. And there is still, and once the trait existed more remarkably in Ireland, a wonderful sympathy between all classes and conditions of people: so that the old stories and traditions that amuse the crouching listener round the hearth of the cottage, find their way into luxurious drawing-rooms; and by their means a brotherhood of sentiment was maintained between the highest class in the land and the humblest peasant who labored for his daily bread.

I tried to display the effect of this strange teaching on the mind of a cultivated gentleman when describing the Knight of Gwynne. I endeavored to show the “Irishry” of his nature was no other than the play of those qualities by which he appreciated his countrymen and was appreciated by them. So powerful is this sympathy, and so strong the sense of national humor through all classes of the people, that each is able to entertain a topic from the same point of view as his neighbor, and the subtle équivoque in the polished witticism that amuses the gentleman is never lost on the untutored ear of the unlettered peasant. Is there any other land of which one can say as much?

If this great feature of attractiveness pertains to the country and adds to its adaptiveness as the subject of fiction, I cannot but feel that to un-Irish ears it is necessary to make an explanation which will serve to show that which would elsewhere imply a certain blending of station and condition, is here but a proof of that widespread understanding by which, however divided by race, tradition, and religion, we are always able to appeal to certain sympathies and dispositions in common, and feel the tie of a common country.

At the period in which I have placed this story the rivalry between the two nations was, with all its violence, by no means ungenerous. No contemptuous estimate of Irishmen formed the theme of English journalism; and between the educated men of both countries there was scarcely a jealousy that the character which political contest assumed later on, changed much of this spirit and dyed nationalities with an amount of virulence which, with all its faults and all its shortcomings, we do not find in the times of the Knight of Gwynne.

CHARLES LEVER.

Trieste, 1872.