The Fall of Literary Theory

The Fall of Literary Theory
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The book revives literary theory, which was popular at the end of the 20th century, with the purpose of showing how useful it is in the current century in opening the minds of students to the dangers of claiming to have a fixed identity. The book shows that in Western cultures identity is a construct that always sees individuals as lacking something (being fallen) that can be retrieved or gained at the expense of an Other, an adversary seen as standing in the way of identity fulfillment. The book shows the history of «fallenness» through an analysis of Melville's Billy Budd, Faulkner's Absalom, Absalom!, Pynchon's The Crying of Lot 49. It also shows ways to heal identity through an analysis of Toni Morrison's Beloved and Rudolfo Anaya's Tortuga.

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Liana Vrajitoru Andreasen. The Fall of Literary Theory

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THE FALL OF LITERARY

A 21st Century

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Literary studies is a field with the privilege of direct access to identities, selves, from near and far, from the beginning of time, or rather from the time when the very quest for an origin and for signification allowed itself to be traced, and all the way forward, to the end of signification and the death desire of culture, in apocalyptic imaginings. Literature gives access to a database of questions that have been asked before. Identity is not an understanding, a satisfied closure, but it can only be seen in a continuum, which is why one has to be immersed into this questioning, not simply expect the vision to be embodied by the ideal professor who has never even claimed to exist.

Postructuralist analysis has been endlessly criticized for not being a shortcut to knowledge, but this is not its purpose. In analyzing a literary text this way, deconstructing it, digging for the spaces where identity is and is not, that is what can still be done, whether “theory” is out of fashion or not. A narrow definition of “theory” may be out of fashion, but its symptomatic, rather than axiomatic engine of questioning keeps running past the words chosen to name it, words that, of course, sooner or later lose their adherents.

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