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Louis Adolphe Coerne. The Evolution of Modern Orchestration
The Evolution of Modern Orchestration
Table of Contents
PREFACE
INTRODUCTORY NOTE
THE EVOLUTION OF. MODERN ORCHESTRATION
PART I.—PRELIMINARIES. CHAPTER I. THE CRADLE OF INSTRUMENTAL MUSIC. (Historical Review.)
I
II
III
IV
CHAPTER II. THE DAWN OF INDEPENDENT INSTRUMENTATION
I
II
CHAPTER III. EVOLUTION OF MUSICAL INSTRUMENTS
I
II
III
IV
V
CHAPTER IV. BEGINNINGS OF ORCHESTRATION
I
II
III
IV
V
VI
SUMMARY OF PART I
Chapter I. The Cradle of Instrumental Music
Chapter II. The Dawn of Independent Instrumentation
Chapter III. Evolution of Musical Instruments
Chapter IV. Beginnings of Orchestration
PART II.—THE CLASSIC ERA. CHAPTER V. BACH, HÄNDEL, AND THEIR CONTEMPORARIES
I
II
The Contemporaries of Bach and Händel
III
IV
V
CHAPTER VI. GLUCK AND HIS CONTEMPORARIES
I
The Contemporaries of Gluck
II
III
IV
V
CHAPTER VII. HAYDN, MOZART, AND BEETHOVEN
I
II
III
CHAPTER VIII. THE CONTEMPORARIES OF BEETHOVEN
I
II
III
IV
V
VI
VII
SUMMARY OF PART II
Chapter V
Chapter VI
Chapter VII
Chapter VIII
PART III.—ROMANTICISM. CHAPTER IX. THE ROMANTIC SCHOOL
I
II
III
IV
V
VI
VII
VIII
IX
CHAPTER X. THE CLASSICAL ROMANTICISTS
I
II
III
IV
V
CHAPTER XI. THE NEW MOVEMENT
I
II
III
IV
V
GROUP I. RIENZI; DER FLIEGENDE HOLLÄNDER; TANNHÄUSER
GROUP II. LOHENGRIN; TRISTAN UND ISOLDE
GROUP III. DER RING DES NIBELUNGEN
GROUP IV. DIE MEISTERSINGER VON NÜRNBERG; PARSIFAL
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
CHAPTER XII. FRANCE AND ITALY
I
II
III
IV
V
VI
ITALY. VII
VIII
CHAPTER XIII. HUNGARY AND BOHEMIA; SCANDINAVIA AND RUSSIA; ENGLAND AND AMERICA
I
II
III
SCANDINAVIA AND RUSSIA. IV
V
VI
VII
VIII
IX
ENGLAND AND AMERICA. X
AMERICA. XI
XII
XIII
SUMMARY OF PART III
Chapter IX. The Romantic School
Chapter X. The Classical Romanticists
Chapter XI. The New Movement
Chapter XII
Chapter XIII
CONCLUSION
APPENDIX. OF. MUSICAL ILLUSTRATIONS
MONTEVERDE (Page 16)
SCARLATTI (Page 22)
HAYDN (Page 47)
MOZART (Page 50)
BEETHOVEN (Page 53)
WEBER (Page 71)
BERLIOZ (Page 89)
MENDELSSOHN (Page 75)
WAGNER (Page 93)
SAINT-SAËNS (Page 131)
TSCHAIKOWSKY (Page 155)
DVOŘÁK (Page 147)
RICHARD STRAUSS (Page 106)
INDEX
Footnote
