The Cows

The Cows
Автор книги: id книги: 1601496     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1116,45 руб.     (11,18$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Биология Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781936747610 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Winner of the Man Booker International Prize"You read Lydia Davis to watch a writer patiently divide the space between epiphany and actual human beings by first halves, then quarters, then eighths, and then sixteenths, into infinity," says The Village Voice. Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' «Thirteen Ways of Looking at a Blackbird» or to Claude Monet's paintings of Rouen Cathedral.Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.

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Lydia Davis. The Cows

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Also by Lydia Davis

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Today, two appear halfway out from behind the barn, standing still. Ten minutes go by. Now they are all the way out, standing still. Another ten minutes go by. Now the third is out and they are all three in a line, standing still.

The third comes out into the field from behind the barn when the other two have already chosen their spots, quite far apart. She can choose to join either one. She goes deliberately to the one in the far corner. Does she prefer the company of that cow, or does she prefer that corner, or is it more complicated—that that corner seems more appealing because of the presence of that cow?

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