Sensoria
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Оглавление
Маккензи Уорк. Sensoria
Отрывок из книги
Thinkers for theTwenty-First Century
McKenzie Wark
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The third tendency Nakamura layers onto the so-called neoliberal turn and the commercialized and more-popular internet is the academic tendency known as visual studies or visual culture studies.116 This in part grew out of, and in reaction against, an art historical tradition that could absorb installation art but did not know how to think digital media objects or practices. Visual culture studies drew on anthropology and other disciplines to create the “hybrid form to end all hybrid forms.”117 It also had something in common with cultural studies, in its attention to low, ephemeral, and vulgar forms, treated not just as social phenomena but as aesthetic ones as well.
Not all the tendencies within visual culture studies sat well together. There could be tension between paying attention to digital media objects and paying attention to vulgar popular forms. Trying to do both at once was an exercise in self-created academic marginality. The study of new media thus tended to privilege things that look like art; the study of the low, the minor, or the vulgar tended to favor social over aesthetic methods and preoccupations. Not the least virtue of Nakamura’s work is that she went out on a limb and studied questions of race and gender and in new and ephemeral digital forms and as aesthetic practices.
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