In Search Of Lost Time. Volumes 1 to 7

In Search Of Lost Time. Volumes 1 to 7
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Описание книги

"In Search of Lost Time" is widely recognized as the major novel of the twentieth century."–Harold Bloom "At once the last great classic of French epic prose tradition and the towering precursor of the 'nouveau roman'."–Bengt Holmqvist "Proust so titillates my own desire for expression that I can hardly set out the sentence. Oh if I could write like that!"–Virginia Woolf "The greatest fiction to date."–W. Somerset Maugham "Proust is the greatest novelist of the 20th century."–Graham Greene On the surface a traditional "Bildungsroman" describing the narrator's journey of self-discovery, this huge and complex book is also a panoramic and richly comic portrait of France in the author's lifetime, and a profound meditation on the nature of art, love, time, memory and death. But for most readers it is the characters of the novel who loom the largest: Swann and Odette, Monsieur de Charlus, Morel, the Duchesse de Guermantes, Françoise, Saint-Loup and so many others–Giants, as the author calls them, immersed in Time. "In Search of Lost Time" is a novel in seven volumes. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material, and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages as they existed in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.

Оглавление

Marcel Proust. In Search Of Lost Time. Volumes 1 to 7

SWANN’S WAY

Overture

Combray

Swann in Love

Place-Names: The Name

WITHIN A BUDDING GROVE

Seascape, with Frieze of Girls

Madame Swann at Home

Place-Names: The Place

THE GUERMANTES WAY

Chapter One

Chapter Two

CITIES OF THE PLAIN

Introduction

Chapter One

Chapter Two

Chapter Two (continued)

Chapter Three

Chapter Four

THE CAPTIVE

Chapter One. Life with Albertine

Chapter Two. The Verdurins Quarrel with M. De Charlus

Chapter Two (continued)

Chapter Three. Flight of Albertine

THE SWEET CHEAT GONE

Chapter One. Grief and Oblivion

Chapter Two. Mademoiselle De Forcheville

Chapter Three. Venice

Chapter Four. A Fresh Light Upon Robert De Saint-Loup

TIME REGAINED

Chapter One. Tansonville

Chapter Two

Chapter Three

Отрывок из книги

For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say “I’m going to sleep.” And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V. This impression would persist for some moments after I was awake; it did not disturb my mind, but it lay like scales upon my eyes and prevented them from registering the fact that the candle was no longer burning. Then it would begin to seem unintelligible, as the thoughts of a former existence must be to a reincarnate spirit; the subject of my book would separate itself from me, leaving me free to choose whether I would form part of it or no; and at the same time my sight would return and I would be astonished to find myself in a state of darkness, pleasant and restful enough for the eyes, and even more, perhaps, for my mind, to which it appeared incomprehensible, without a cause, a matter dark indeed.

I would ask myself what o’clock it could be; I could hear the whistling of trains, which, now nearer and now farther off, punctuating the distance like the note of a bird in a forest, shewed me in perspective the deserted countryside through which a traveller would be hurrying towards the nearest station: the path that he followed being fixed for ever in his memory by the general excitement due to being in a strange place, to doing unusual things, to the last words of conversation, to farewells exchanged beneath an unfamiliar lamp which echoed still in his ears amid the silence of the night; and to the delightful prospect of being once again at home.

.....

“Isn’t he charming?” she asked Swann, “doesn’t he just understand it, his sonata, the little wretch? You never dreamed, did you, that a piano could be made to express all that? Upon my word, there’s everything in it except the piano! I’m caught out every time I hear it; I think I’m listening to an orchestra. Though it’s better, really, than an orchestra, more complete.”

The young pianist bent over her as he answered, smiling and underlining each of his words as though he were making an epigram: “You are most generous to me.”

.....

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