Serendipity

Serendipity
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Описание книги

THE TELLER OFTEN TELLS THE TALE HE WANTS TO HEAR…
"Why, given its sad ending, did my not-quite-ancestor choose this particular story? I wonder whether he had noticed the same tendency as I have: how young men – specifically pairs of young men – from Greek myth go missing in modern accounts. There was a time when every hero was provided with a boyfriend as a matter of course, as all these respectable Englishmen with their classical educations knew full well. And yes, they usually died, for pathos was an integral part of this cult of the beautiful youth. And 'cult' is not too strong a word: there was a Roman emperor who turned his lost boy into a god, and you can go see his face in any half-decent museum of antiquities."
Hippasus is one of the lost boys of Greek myth, unknown even to most classicists. Inspired by the fortuitous discovery of an earlier attempt at reconstruction, the narrator embarks on a new examination of the evidence in the hope of rescuing from obscurity an appealing story of broken vows, mistaken identity, confusing oracles, young love— and a dragon.

Оглавление

Marcus Attwater. Serendipity

Chapter 1 - Things unlooked for

Chapter 2 - The lost boys

Chapter 3 - Bartholomew vs. Brown

Chapter 4 - The Cretan connection

Chapter 5 - The limits of knowledge

Postscript

Appendix

Bibliography

Also available

Отрывок из книги

serendipity /sɛr(ə)n’dɪpɪti/ n. the faculty of making happy and unexpected discoveries by accident. □ serendipitous adj. serendipitously adv. [coined by Horace Walpole (1754) after The Three Princes of Serendip (now Sri Lanka), a fairy tale]

The Concise Oxford Dictionary

.....

I was enjoying my detective work now, and I returned to Attwater’s notebooks with a new purpose. There was little of a personal nature in the notes for the post-war years, but I did find the draft of a letter to his cousin Ragnvald which seemed relevant, and which from the context I dated to late 1919. It wasn’t a continuous piece, but a collection of unconnected passages, some written hurriedly, others neat and clearly thought out. That is how Attwater usually wrote: fluent but contextless paragraphs which only became joined into a whole when he typed the final version. I had noticed that similarity with my own working methods already when I looked at the ideas for his articles.

It appears he intended to open the letter to his cousin with a quotation from Plato’s Symposium, but unfortunately, he did not indicate which bit, just started in medias res with a confident ‘I finally know what Plato meant’. The next sketchy paragraph appears to indicate that he is talking about the relationship between a grown man and a younger one, and that he means by this a non-erotic passion (‘platonic’ in the true sense), and is not just being reticent out of consideration for his reader (Ragnvald, in any case, would not have been offended by the notion). With this in mind, the next passage (if they are in the right order at all) is worth quoting in full:

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