Marie Bashkirtseff: From Childhood to Girlhood, Diary of a Young Artist
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Marie Bashkirtseff. Marie Bashkirtseff: From Childhood to Girlhood, Diary of a Young Artist
Marie Bashkirtseff: From Childhood to Girlhood, Diary of a Young Artist
Table of Contents
PREFACE
THE SOUL OF A LITTLE GIRL
NEW JOURNAL OF MARIE BASHKIRTSEFF
JANUARY, 1873
March 14th, 1873
March 30th, 1873
Tuesday, April 8th
Good Friday
July 29th, 1873
September 12th, 1873
September 15th, 1873
September 20th
October 5th
October 8th, 1875
Sunday, October 10th, 1875
Saturday, October 23d, 1875
October 24th, 1875
Monday, November 15th, 1875
Tuesday, November 16th, 1875
Wednesday, November 17th, 1875
Paris, November 18th, 1875
November 19th, 1875
Saturday, November 20th, 1875
Sunday, November 21st, 1875
Monday, November 22nd, 1875
Wednesday, November 24th, 1875
November 28th, 1875
Monday, November 29th, 1875
Saturday, December 4th, 1875
Saturday, December 11th, 1875
Sunday, December 19th, 1875
Thursday, December 23d, 1875
Friday, December 24th, 1875
Saturday, December 25th, 1875
BOOK LI
Sunday, December 26th, 1875
December 28th, 1875
Wednesday, December 29th, 1875
Saturday, January 1st, 1876
Sunday, January 2nd, 1876
Tuesday, January 4th, 1876
Wednesday, January 5th, 1876
Thursday, January 6th, 1876
Friday, January 7th, 1876
Tuesday, January 11th, 1876
Wednesday, January 12th, 1876
Thursday, January 13th, 1876
Friday, January 14th, 1876
Sunday, January 16th, 1876
Wednesday, January 19th, 1876
January 19th, 1876
Thursday, January 20th, 1876
Friday, January 21st, 1876
Saturday, January 22nd, 1876
Sunday, January 23d, 1876
From Monday, January 24th, to February 10th, 1876: Rome, Hôtel de Londres, Piazza di Spagna
Tuesday, January 25th, 1876
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Marie Bashkirtseff
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Marie's sentimental life has greatly perturbed her biographers. They have accused her of having a cold, indifferent heart. Others, more penetrating, have seen that Marie considered love as a religion for which a god was necessary. Hence her dream as a young girl: "to love a superior being." And she wrote to Maupassant.
Jean Finot has pointed out that there was something "infinitely tragical in the approach from a distance of these two sublime beings already stamped by death." Besides, Marie did not know the novelist.
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