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Martin Mühlheim
Fictions of Home
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Acknowledgments
Prefatory Note
Introduction – Theories of Home: Alienation and Belonging in Steven SpielbergSpielberg, Steven’s
E.T.: The Extra-Terrestrial
Fictions of Home: Theoretical Framework
The Metaphysics of Home: Religion, the Canon, and Existential Trauma
Growing Up: Redefining the Meaning of Home
The Question of Racism and the Politics of Home
The Return of the Repressed: History, the Family, and the Freudian Uncanny
Alienation and Oppression at Home: Feminist and MarxistMarxism and Marxist criticism Critiques
Nature, Technology, and Communication
Knowing Home: The Uses and Abuses of Defamiliarization
1 “Another Orphan”: Trauma and Transcendental Homelessness in Herman MelvilleMelville, Herman’s
Moby-Dick: or, The Whale
Alienation and Home-Making Practices
Ishmael’s Rhetorical Shifts
A Soul Not at Home: Ishmael, Ahab, and Emersonian Self-Reliance
Ahab, Trauma, and the Community of Sufferingcommunity of suffering
Of Masters and Slaves: Power, Isolation, and Recognition
The Dutyduty of Civil DisobedienceCivil Disobedience
The Signs of Madness and Transcendence: A “Hideous and Intolerable Allegory”?
Losing Control: Madness, Obsession, and Homeless Narration
Unraveling the “Weaver-God”
Visions of Home: Labor, Equality, and the Question of Gender
2 “Whom She Belongs To”: Gender, Genre, and “Immovable Roots” in George Eliot’s
The Mill on the Floss
Home and the
BildungsromanBildungsroman
A Woman’s Place
Tom’s Education: Generational Conflict and Masculine
BildungBildung
“Immovable Roots”:
BildungBildung
and the Limits of Self-Determination
Nostalgia, Mourning, and Ironic Distance: Novelistic Immaturity
Maggie’s Dreams: Awakening and Romance
The Tragedy of Wish-Fulfillment
Capitalism and the Specter of Nomadic Existence
The Politics of Genre and Style Brought Home
3 “The Majesty of EnglandEngland”: The Ethics of Home and the Imperial City in Virginia WoolfWoolf, Virginia’s
Mrs. Dalloway
The Country and the City
Revisiting the Country House
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