The Pictorial Press: Its Origin and Progress
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Mason Jackson. The Pictorial Press: Its Origin and Progress
The Pictorial Press: Its Origin and Progress
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Mason Jackson
Published by Good Press, 2019
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In another pamphlet, dated 1642, there is an account of a battle at Kilrush, which is also illustrated with a woodcut. The circumstances are related in detail, but they are sufficiently set forth in the title, without further quotation:—‘Captaine Yarner’s Relation of the Battaile fought at Kilrush upon the 15th day of Aprill, by my Lord of Ormond, who with 2500 Foot and 500 Horse, overthrew the Lord Mountgarret’s Army, consisting of 8000 Foot and 400 Horse, all well armed, and the choyce of eight Counties. Together with a Relation of the proceedings of our Army, from the second to the later end of Aprill, 1642.’
Many other illustrated pamphlets relating to current events were published at this time. It would appear that in 1641 there was a visitation of the plague in London, and a tract of that date has reference to it. It is entitled:—‘London’s Lamentation, or a fit admonishment for City and Country, wherein is described certain causes of this affliction and visitation of the Plague, yeare 1641, which the Lord hath been pleased to inflict upon us, and withall what means must be used to the Lord, to gain his mercy and favour, with an excellent spirituall medicine to be used for the preservative both of Body and Soule.’ The ‘spiritual medicine’ recommended is an earnest prayer to heaven at morning and evening and a daily service to the Lord. The writer endeavours to improve the occasion very much like a preacher in the pulpit and continues his exhortation thus:—‘Now seeing it is apparent that sin is the cause of sicknesse: It may appear as plainly that prayer must be the best means to procure health and safety, let not our security and slothfulnesse give death opportunity, what man or woman will not seem to start, at the signe of the red Crosse, as they passe by to and fro in the streets? And yet being gone they think no more on it. It may be, they will say, such a house is shut up, I saw the red crosse on the doore; but look on thine own guilty conscience, and thou shalt find thou hast a multitude of red crimson sinnes remaining in thee.’ I have copied the illustration to this tract, and it will be seen that it is divided into two parts—one representing a funeral procession advancing to where men are digging two graves—the other showing dead bodies dragged away on hurdles. The first is labelled ‘London’s Charity.’ The second ‘The Countrie’s Crueltie.’ This was perhaps intended to impress the reader in favour of the orderly burial of the dead in the city churchyards, a subject on which public opinion has very much changed since that time.
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