Hand-Loom Weaving: A Manual for School and Home

Hand-Loom Weaving: A Manual for School and Home
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"Hand-Loom Weaving: A Manual for School and Home" by Mattie Phipps Todd. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Mattie Phipps Todd. Hand-Loom Weaving: A Manual for School and Home

Hand-Loom Weaving: A Manual for School and Home

Table of Contents

HAND-LOOM WEAVING

A Manual for School and Home

By

Mattie Phipps Todd

Of the Motley School, Minneapolis, Minn. With an Introduction by

Alice W. Cooley

Formerly Supervisor of Primary Schools, Minneapolis, Minn. With Fifty-seven Illustrations

The Table of Contents

An Introduction

Hand-Loom Weaving

Chapter One

THE PRIMITIVE LOOM

Chapter Two

A CHAT ON WEAVING

Chapter Three

FIRST STEPS IN WEAVING

Chapter Four

METHODS OF STRINGING WARP

Chapter Five

MATERIALS

Chapter Six

DIRECTIONS FOR DYEING

DYE FORMULAS

NO. 1. DARK TERRA COTTA

NO. 2. FULL TERRA COTTA

NO. 3. LIGHTER TERRA COTTA

NO. 4. RICH OLD RED

NO. 5. DULL OLD ROSE

NO. 6. OLD PINK

NO. 7. FULL YELLOW

NO. 8. RICH DULL YELLOW

NO. 9. DARK TAN YELLOW

NO. 10. LIGHT OLIVE TAN

NO. 11. OLD IVORY

NO. 12 RICH NAVY BLUE

NO. 13. DARK PERSIAN BLUE

NO. 14. GOBELIN BLUE

NO. 15. LIGHT GRAY BLUE

NO. 16. LIGHT SAGE GREEN

NO. 17. LIGHT OLIVE

NO. 18. DARK MOSS GREEN

NO. 19. GOLDEN BROWN

NO. 20. DARK BRONZE

Chapter Seven

METHODS OF SPLICING MATERIALS FOR WEAVING

Chapter Eight

WOOL AND SILKOLINE RUGS OR MATS

Chapter Nine

HAMMOCKS

Chapter Ten

FACE AND DISH CLOTHS AND BATH RUGS

Chapter Eleven

RAFFIA MATS

Chapter Twelve

ORIENTAL RUGS

Chapter Thirteen

NAVAJO BLANKETS

Chapter Fourteen

SONGS, GAMES, AND STORIES

SONGS AND GAMES

STORIES

Chapter Fifteen

A LIST OF HELPFUL BOOKS AND MAGAZINE ARTICLES

BOOKS

FINE ART BOOKS

MAGAZINE ARTICLES

The Index

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Mattie Phipps Todd

Published by Good Press, 2019

.....

The primitive loom, as it is made for use in the public schools, is familiar to almost every teacher. It consists of a wooden frame, in the two ends of which are fastened brads at intervals of half an inch. The warp is strung around these brads. There is no variation either in the size of the rug or in the width of the warp to afford opportunity for different materials. This is a decided objection, as a new frame has to be made every time a change is desired. The first difficulty encountered is the drawing in of the sides of the rug, which is almost impossible to avoid, even with the utmost care. Photographs of work in the leading educational magazines, as well as samples of teachers' work, all show the same defect. The Indians obviate this difficulty by twisting two stout cords in the edge of the woof during the process of weaving. (See illustration on page 135.) In one school, where the work in this respect was fairly well done, the teacher was asked how she accomplished the result. Her reply was, "Oh, I make them pull it out every time it draws." Poor, patient little fingers! One can imagine the thoughts which were woven into that imperfect rug by the discouraged little worker. Another disadvantage of the primitive loom is that the child must bend over it while weaving, and if, by chance, he turns it over to examine the other side of the work, the brads are apt to leave an unsightly impression on the desk.

Success in doing

.....

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