Cloven Hooves

Cloven Hooves
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Описание книги

A magical, classic tale of the transformative power of love from Megan Lindholm, who also writes as Robin Hobb.Evelyn is a solitary child, preferring to wander in the woods in all weathers rather than socialise. Her secret is a fantastic companion: a faun with whom she plays in the woods. Years later Evelyn finds happiness as a wife and mother, but life turns sour when the family move to Tacoma where her husband is asked to fill in at his father’s business. Evelyn’s husband’s wish for them to stay permanently with his family causes a rift between them and then a terrible tragedy makes the situation even more impossible.Miraculously, when she needs a friend, Evelyn’s childhood companion reappears in Tacoma. Pan, now an adult satyr and a secret friend to both her and her son, eventually becomes her lover. He leads Evelyn on an odyssey out of her failed marriage to fulfilment in the woods of Alaska.

Оглавление

Megan Lindholm. Cloven Hooves

CLOVEN HOOVES. Megan Lindholm

Robin Hobb

Copyright

Praise

ONE. In Flight. 11 March 1976

TWO. Fairbanks, Alaska, 1963

THREE. Tacoma. May 1976

FOUR. Fairbanks. Winter 1963

FIVE. Tacoma. The Farm. June 1976

SIX. Fairbanks. Spring 1964

SEVEN. The Farm. June 1976

EIGHT. Fairbanks. Summer 1965

NINE. The Farm. June 1976

TEN. Fairbanks. The Late Sixties

ELEVEN. The Forest. June 1976

TWELVE. The Farm. June 1976

THIRTEEN. The Farm. June 1976

FOURTEEN. The Farm. July 1976

FIFTEEN. The Farm. July 1976

SIXTEEN

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

TWENTY-SIX

About the Author

BY ROBIN HOBB

About the Publisher

Отрывок из книги

Who also writes as

The Times

.....

“You make yourself sound like an old lady,” Mother Maurie chides smilingly. Her smile seems a bit stiff. Suddenly I realize that my remarks have not been exactly tactful. The dress I have rejected is cut very similarly to the one Mother Maurie is now wearing. But on her its youthfulness looks appropriate. Mother Maurie is a tiny, delicate woman, a ceramic doll with large blue eyes, and Steffie is a long-legged golden blonde, a beach-party Barbie. It strikes me that they are the two ends of the spectrum for American femininity, and that I do not fall anywhere between them. Off the bell curve, that’s me.

“What are you having, Mother?” It is Steffie, considering a red-and-gilt menu. “Shall we have just a bite, or dinner?”

.....

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