Pierre; or The Ambiguities

Pierre; or The Ambiguities
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Melville Herman. Pierre; or The Ambiguities

BOOK I. PIERRE JUST EMERGING FROM HIS TEENS

BOOK II. LOVE, DELIGHT, AND ALARM

BOOK III. THE PRESENTIMENT AND THE VERIFICATION

BOOK IV. RETROSPECTIVE

BOOK V. MISGIVINGS AND PREPARATIONS

BOOK VI. ISABEL, AND THE FIRST PART OF THE STORY OF ISABEL

BOOK VII. INTERMEDIATE BETWEEN PIERRE'S TWO INTERVIEWS WITH ISABEL AT THE FARM-HOUSE

BOOK VIII. THE SECOND INTERVIEW AT THE FARM-HOUSE, AND THE SECOND PART OF THE STORY OF ISABEL. THEIR IMMEDIATE IMPULSIVE EFFECT UPON PIERRE

BOOK IX. MORE LIGHT, AND THE GLOOM OF THAT LIGHT. MORE GLOOM, AND THE LIGHT OF THAT GLOOM

BOOK X. THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE

BOOK XI. HE CROSSES THE RUBICON

BOOK XII. ISABEL: MRS. GLENDINNING: THE PORTRAIT: AND LUCY

BOOK XIII. THEY DEPART THE MEADOWS

BOOK XIV. THE JOURNEY AND THE PAMPHLET

BOOK XV. THE COUSINS

BOOK XVI. FIRST NIGHT OF THEIR ARRIVAL IN THE CITY

BOOK XVII. YOUNG AMERICA IN LITERATURE

BOOK XVIII. PIERRE, AS A JUVENILE AUTHOR, RECONSIDERED

BOOK XIX. THE CHURCH OF THE APOSTLES

BOOK XX. CHARLIE MILLTHORPE

BOOK XXI. PIERRE IMMATURELY ATTEMPTS A MATURE WORK. TIDINGS FROM THE MEADOWS. PLINLIMMON

BOOK XXII. THE FLOWER-CURTAIN LIFTED FROM BEFORE A TROPICAL AUTHOR, WITH SOME REMARKS ON THE TRANSCENDENTAL FLESH-BRUSH PHILOSOPHY

BOOK XXIII. A LETTER FOR PIERRE. ISABEL. ARRIVAL OF LUCY'S EASEL AND TRUNKS AT THE APOSTLES'

BOOK XXIV. LUCY AT THE APOSTLES

BOOK XXV. LUCY, ISABEL, AND PIERRE. PIERRE AT HIS BOOK. ENCELADUS

BOOK XXVI. A WALK: A FOREIGN PORTRAIT: A SAIL: AND THE END

Отрывок из книги

THERE are some strange summer mornings in the country, when he who is but a sojourner from the city shall early walk forth into the fields, and be wonder-smitten with the trance-like aspect of the green and golden world. Not a flower stirs; the trees forget to wave; the grass itself seems to have ceased to grow; and all Nature, as if suddenly become conscious of her own profound mystery, and feeling no refuge from it but silence, sinks into this wonderful and indescribable repose.

Such was the morning in June, when, issuing from the embowered and high-gabled old home of his fathers, Pierre, dewily refreshed and spiritualized by sleep, gayly entered the long, wide, elm-arched street of the village, and half unconsciously bent his steps toward a cottage, which peeped into view near the end of the vista.

.....

So when Pierre and his mother descended to breakfast, and Pierre had scrupulously seen her supplied with whatever little things were convenient to her; and had twice or thrice ordered the respectable and immemorial Dates, the servitor, to adjust and re-adjust the window-sashes, so that no unkind current of air should take undue liberties with his mother's neck; after seeing to all this, but in a very quiet and inconspicuous way; and also after directing the unruffled Dates, to swing out, horizontally into a particular light, a fine joyous painting, in the good-fellow, Flemish style (which painting was so attached to the wall as to be capable of that mode of adjusting), and furthermore after darting from where he sat a few invigorating glances over the river-meadows to the blue mountains beyond; Pierre made a masonic sort of mysterious motion to the excellent Dates, who in automaton obedience thereto, brought from a certain agreeable little side-stand, a very prominent-looking cold pasty; which, on careful inspection with the knife, proved to be the embossed savory nest of a few uncommonly tender pigeons of Pierre's own shooting.

"Sister Mary," said he, lifting on his silver trident one of the choicest of the many fine pigeon morsels; "Sister Mary," said he, "in shooting these pigeons, I was very careful to bring down one in such a manner that the breast is entirely unmarred. It was intended for you! and here it is. Now Sergeant Dates, help hither your mistress' plate. No? – nothing but the crumbs of French rolls, and a few peeps into a coffee-cup – is that a breakfast for the daughter of yonder bold General?" – pointing to a full-length of his gold-laced grandfather on the opposite wall. "Well, pitiable is my case when I have to breakfast for two. Dates!"

.....

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