Terror Has No Diary

Terror Has No Diary
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Of the 7000 Jews living in the Baltic seaport of Libau (Liepaja), Latvia when the Germans invaded on June 21, 1941, only 200 remained alive when the city was liberated May 9,1945. Of these, maybe two dozen were hiding within Libau itself. This story is about 12 of them. Eleven adults were in the care of Robert and Johanna Sedols who hid them in a cellar behind a false wall constructed with the &quot;holy bricks&quot; of the demolished Choral Synagogue; the lone child was cared for by a widow, Otilija Schimelpfenig, in the secure comfort of her home. For their courage and moral stature, the Sedols and Mrs. Schimelpfenig are memorialized as &quot;Righteous Among the Nations&quot; at Yad Vashem. How these 12 Jews arrived at their hiding places, and how they endured until liberation, is a remarkable story, one of miracles. Inscrutable miracles, cast naked upon the ruins by men and women of courage and cunning, not saints.<br><br>The narrational vigor of the telling reflects the striking skill of a sagacious diarist, Kalman Linkimer. When the Germans invaded Libau, Kalman was just shy of 30. He was already a veteran of the Latvian Army, a broadly educated teacher and poet who tutored wealthy gymnasium students, and an habitu&Atilde;&copy; of cafes where he endlessly played chess, sipped espresso, and smoked cigarettes. And more…he was a gay, religious Jew who was an athlete and an avid leftist. Faced with a defiled social contract, Kalman threw off the mask of the gentle aesthete and exposed his true grit. He conceded to no one the mission of chronicling the terror; he was consumed with the need to transmit the pain of evil to those who were not there. Kalman Linkimer was a moral witness.<br><br>Kalman&#39;s chronicle begins on Erev Yom Kippur, 26 September 1944: &quot;Just eleven of us now, buttoned up in a cellar beneath the heat of baking ovens....&quot; With this painful metaphor as backdrop, Kalman recounts how they all came to be there; the twists and turns through the endless night of murder, torture and humiliation inflicted by evil actors entirely empty of empathy; the mass murders in the dunes of Skede, the liquidation of the ghetto, the escapes, the events that taught each of them that a drowning man is not troubled by rain.<br><br>Two-thirds into the narrative, Kalman returns to the &quot;present.&quot; Far from growing familiar with their privileged prison, they behold it every moment with a new horror. The hunger, the illness, the conflicts, and the bombing ever more near. The bipolar illusions, the catatonic routine, and the adulterous entanglement. Their quarantine a panic room bricked in, their world narrows in increments only animals know....Liberation arrives nearly four years after the nightmare began. They emerge from the cellar malnourished, maladroit, and cautiously hopeful. The lone child, wearing a white hat and a flowered dress, stands in the Spring sunshine. Only she is destined to fully heal.

Оглавление

Michael Melnick. Terror Has No Diary

DEDICATION

AUTHOR’S NOTE

FOREWORD

PART ONE

THE NIGHTMARE BEGAN

HAPPY CHANUKAH: 15 DECEMBER 1941

THE GHETTO

LOOTING THE GHETTO

RIVA AND HER CHILD

ESCAPE FROM PAPLAKA

PART TWO

MAY 1944

JUNE 1944

JULY 1944

AUGUST 1944

SEPTEMBER 1944

PART THREE

OCTOBER 1944

NOVEMBER 1944

DECEMBER 1944

JANUARY 1945

FEBRUARY 1945

SPRING 1945

AFTERWORD

ENDNOTES

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KALMAN LINKIMER

A Moral Witness

.....

I am most grateful to Ada Israeli (née Adinka Zivcon) and her husband, Yosef. They were my hosts in Israel, and made all the arrangements for my visits with Hilde Skutelsky and Aaron Vesterman. Ada and I have had many hours of conversation in person and by email about her mother, Riva Zivcon. In addition, she has provided very many of the photographs in the book. Most importantly, she was kind enough to read an earlier draft of the book and to encourage me over and over to completion. I am also grateful to Hilde and Aaron for hours of conversation that provided important facts and insights to events and personalities in the story. Aaron has also given me three key photographs, including the most moving picture in the book which he snapped clandestinely, that of the matronly women in the marketplace with square Jew patches sown on their dresses.

I am also grateful to my cousin Elias Hirschberg and his twin brother Jacob, the sons of Zelig Hirschberg, one of the eleven in the cellar. Elias spent a week acquainting me with Riga, its environs, and the countryside between Riga and Liepaja. In Liepaja, both Elias and Jacob helped me explore the city in detail, including a stop at 14 Kauf Street (now 22 Tirgonu). Together we made an emotional visit to Zelig’s grave and to those of our great grandparents, Meir and Beila Hirschberg. Elias and Jacob were invaluable in helping me put the events of the book in a physical and geographic context.

.....

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