Оглавление
Mike Darlow. Mike Darlow's Woodturning Series: Useful Woodturning Projects
CONTENTS
ACKNOWLEDGEMENTS
Key
Chapter 1. INTRODUCTION
1.1 THE GROWTH IN NON-USEFUL TURNING
1.1.1 The market for non-useful woodturnings
1.1.2 The influence of the media
1.1.3 Today’s high-profile turners
1.1.4 The influence of woodturners’ associations
1.2 THE RELATIVE DECLINE IN USEFUL TURNING
1.2.1 The influence of today’s dominant design style
1.2.2 The influence of suppliers
1.2.3 The misbelief that the range of useful turnings is small
1.2.4 Wood supply and properties
1.2.5 Useful turning is perceived as less creative and of lower status
1.2.6 Woodturning skills
Tuition
1.2.7 Design
The reality of design
1.2.8 The demand for useful turnings
1.3 CONCLUSION
1.4 GENERAL MATTERS
1.5 ENDNOTES
Chapter 2. SMALL TURNING TOOLS
2.1 PARTING TOOLS
2.2 SKEW CHISELS
2.3 DETAIL GOUGES
2.3.1 Detail gouge noses
2.4 SHARPENING, HANDLES AND CALLIPERS
2.4.1 Sharpening small turning tools
2.4.2 Handles for small turning tools
2.4.3 Callipers
2.5 ENDNOTES
Chapter 3. A BACKSCRATCHER
Design
Making
Chapter 4. MAKING CHESSMEN
4.1 CHUCKING WORKPIECES FOR LEADED CHESSMEN
4.2 BORING THE LEADING HOLE
4.3 CHUCKING CHESSMEN WORKPIECES
4.4 POLISHING
4.5 LEADING
4.6 LEATHERING
Chapter 5. THREE ANTIQUE CHESS SETS
5.1 SIGNATURES AND SYMBOLS
5.2 THE ROWBOTHUM SET
5.2.1 Design
5.2.2 Making
5.3 FLINDERS’ CHESS SET
5.3.1 Flinders’ life
5.3.2 William Flinders Petrie
5.3.3 The design of Flinders’ chess set
5.3.4 Making
5.4 THE WINDSOR DESIGN
5.4.1 Design of the Parker set
5.4.2 Making
5.5 ENDNOTES
Chapter 6. FIVE RECENT CHESS SET DESIGNS
6.1 CREATING NEW DESIGNS
6.2 THE BUENOS DESIGN
6.2.1 Marcel Duchamp
6.2.2 Features of Duchamp’s set
6.2.3 Design of the Buenos set
6.2.4 Making the Buenos set
6.3 THE MANNY SET
6.3.1 Man Ray
6.3.2 Features of Man Ray’s Pieces
6.3.1 Design of the Manny pieces
6.3.2 Making the Manny pieces
Making the five non-knight pieces
Making the knights
6.4 THE TANG DESIGN
6.4.1 Features of the Tang design
6.4.2 Making
Making the Tang knights
6.5 THE LOPEZ DESIGN
6.5.1 Design
6.5.2 Making the Lopez pieces
Making the non-knight pieces
Making the knight bodies
Making the knight piece symbols
6.6 THE STAMMA DESIGN
6.6.1 Design
6.6.2 Making
6.7 ENDNOTES
6.8 BIBLIOGRAPHY
Chapter 7. FRAMES
7.1 HANGING, RABBETS AND SEALING
Hanging
Rabbets
Sealing
7.2 A FAUX BAMBOO FRAME
7.2.1 Bamboo
7.2.2 Introduction of bamboo to the West
7.2.3 European interest in oriental furniture
7.2.4 The frame’s design
7.2.5 Making the frame
7.3 A LARGER FAUX BAMBOO FRAME
7.4 ANOTHER FULLY-TURNED FRAME
7.4.1 Design
7.4.2 Making
Making the corner disks
Making the posts and rails
Polishing and assembly
7.5 SPLIT-SPINDLE FRAMES
7.5.1 Split turnings
7.5.2 The technique of split turning
7.5.3 A split-turned frame with mitered corners
Design
Making
7.5.4 Antique split-turned frames with corner blocks
7.5.5 A contemporary split-turned frame with corner blocks
Design
Making
7.6 QUADRANT-CORNER FRAMES
7.7 EARED FRAMES
Design
Making
7.8 DIPTYCH FRAMES
Design
Making
7.9 FRAMES WITH GOTHIC ARCHES
7.10 FRAMES CONSTRUCTED FROM MORE THAN ONE ANNULUS
7.11 ENDNOTES
Chapter 8. FUNNELS
8.1 FUNNEL DESIGN
8.2 MAKING FUNNELS
8.3 ENDNOTES
Chapter 9. MARKERS
9.1 DESIGNING MARKERS
9.2 MAKING MARKERS
Chapter 10. MOLINILLOS
10.1 THE CHOCOLATE TREE
10.2 EARLY USES OF CHOCOLATE
10.3 MODERN PROCESSING
10.4 MAKING A MOLINILLO
Design
Making
10.5 ENDNOTES
Chapter 11. MONAURAL STETHOSCOPES
11.1 HISTORY OF THE STETHOSCOPE
11.2 MAKING A MONAURAL STETHOSCOPE
11.2.1 Turning the base
11.2.2 Turning the stem
11.3 ENDNOTES
Chapter 12. A NEGUS STRAINER
12.1 COLONEL NEGUS
12.2 NEGUS
12.3 MAKING A NEGUS STRAINER
12.4 ENDNOTES
Chapter 13. AN IMPROVED PEPPER GRINDER
13.1 PEPPER
Pepper trading before the sixteenth century
13.2 DEVELOPMENT OF THE PEPPER GRINDER
13.3 PEPPER-GRINDER DESIGN
13.4 MAKING THE GRINDER
13.5 ENDNOTES
Chapter 14. A POINT-PRESSER-AND-CLAPPER
14.1 DESIGN
14.2 MAKING
Chapter 15. REEL STANDS
15.1 ANTIQUE REEL STANDS
15.2 HISTORY
15.2.1 Advances in the manufacture of cotton cloth
15.2.2 History of cotton sewing thread
15.3 MAKING THE REEL STAND
15.4 ENDNOTES
Chapter 16. SPINNING TOPS
16.1 MAKING THE TOPS
Chapter 17. THIS BOOK’S TYPEFACES
17.1 TYPEFACES AND FONTS
17.2 USING TYPEFACES
17.2.1 Typeface family
17.2.2 Character differentiation
17.2.3 Size
17.2.4 Spacing
17.3 STYLE MANUALS
17.4 ENDNOTES
MILLIMETERS INTO INCHES
