Map Addict
Описание книги
'My name is Mike and I am a map addict. There, it's said…'Maps not only show the world, they help it turn. On an average day, we will consult some form of map approximately a dozen times, often without even noticing: checking the A-Z, the road atlas or the Sat Nav, scanning the tube or bus map, a quick Google online or hours wasted flying over a virtual Earth, navigating a way around a shopping centre, watching the weather forecast, planning a walk or a trip, catching up on the news, booking a holiday or hotel. Maps pepper logos, advertisements, illustrations, books, web pages and newspaper and magazine articles: they are a cipher for every area of human existence. At a stroke, they convey precise information about topography, layout, history, politics and power. They are the unsung heroes of life: Map Addict sings their song.There are some fine, dry tomes out there about the history and development of cartography: this is not one of them. Map Addict mixes wry observation with hard fact and considerable research, unearthing the offbeat, the unusual and the downright pedantic in a celebration of all things maps. In Map Addict, we learn the location of what has officially been named by the OS as the most boring square kilometre in the land; we visit the town fractured into dozens of little parcels of land split between two different countries and trek around many other weird borders of Britain and Europe; we test the theories that the new city of Milton Keynes was built to a pagan alignment and that women can't read maps. Combining history, travel, politics, memoir and oblique observation in a highly readable, and often very funny, style, Mike Parker confesses how his own impressive map collection was founded on a virulent teenage shoplifting habit, ponders how a good leftie can be so gung-ho about British cartographic imperialism and wages a one-man war against the moronic blandishments of the Sat Nav age.
Оглавление
Mike Parker. Map Addict
MAP. ADDICT. MIKE PARKER
Copyright
Table of Contents
INTRODUCTION
1. TREASURE ISLAND
2. L’ENTENTE CARTIALE
3. EVERY NODULE AND BOBBLE
THE TOP FIVE 1:50 000 LANDRANGER MAPS
123 Llŷn Peninsula
131 Boston & Spalding
104 Leeds & Bradford
196 The Solent
34 Fort Augustus, Glen Roy & Glen Moriston
AND THE BOTTOM FIVE
11 Thurso & Dunbeath
176 West London / 177 East London
148 Presteigne & Hay-on-Wye
110 Sheffield & Huddersfield / 111 Sheffield & Doncaster
46 Coll & Tiree
4. BORDERLINE OBSESSION
5. THE POWER MAP
6. GOD IS IN THE DETAIL
7. CARTO EROTICA
8. BOYS’ TOYS?
9. PRATNAV
10. GOING OFF-MAP
BIBLIOGRAPHY
WEBSITES. MAP LIBRARIES AND RESOURCES
BLOGS AND DISCUSSION
INDEX
ACKNOWLEDGEMENTS
ABOUT THE AUTHOR
About the Publisher
Отрывок из книги
A TALE OF OBSESSION, FUDGE & THE ORDNANCE SURVEY
At last.
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Both of my choices are beautiful works, but I love them mainly for being such remarkable snapshots of a very specific moment in time. They are graphic, lavishly detailed pictures of the world into which I was born at the tail end of 1966. No one knew it then, but they represent a world on the cusp of fundamental cataclysm. Our industrialised island, crammed full of mines and quarries and factories and railways, was shortly to become a post-industrial place of shopping centres, theme parks, light industrial estates and speedy roads. Nineteen-sixty six was the border between those two worlds, the year that saw both the last, gruesome gasp of the old order at Aberfan, and the sapling stirrings of our future economy, a leisure industry kick-started by the English victory in the football World Cup. It was the beginning of the era when the future ceased to be the national fetish, to be replaced, ultimately and ominously, by a slavish obsession with the past.
The battle between the future and the past raged through the late 1960s and the entire 1970s, through psychedelia, sexual liberation, student uprisings, strikes, power cuts and punk, but by the time the 1980s dawned, the past had won. Margaret Thatcher, the Grantham grocer’s daughter, invoked the Britain of a bygone age to anaesthetise us to everything, from small colonial wars to her battle to destroy organised labour. Nostalgia became a driving force of the economy: the backdrop to the breakneck changes that we choose to remember is ‘Ghost Town’ and Orgreave, but it could just as easily have been the multimillion selling Country Diary of an Edwardian Lady or the spin-off frills and frou-frou by the likes of Laura Ashley. The landscape, and hence maps, began to change too: town centres, the mercantile heart of the nation for over a thousand years, wilted in the heat of the new retail parks that were mushrooming alongside new bypasses and motorways. Heritage centres, heritage railways, industrial heritage, history denuded of its scandal and gore, erupted all over the country like a pox rash.
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