The Mythology of the Devil

The Mythology of the Devil
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The Mythology of the Devil is a work on demonology which analyzes how different cultures and religions have interpreted demons and devil along history. The author's survey of myths, folktales, superstitions and rituals across cultures is very methodical. Each topic is thoroughly researched and it is explained how a certain theme is viewed in demonic myths throughout the world. The book is a kind of a treatise on the historical development of the idea of Evil.

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Moncure D. Conway. The Mythology of the Devil

The Mythology of the Devil

Table of Contents

Preface

Part I. Demonolatry

Chapter I. Dualism

Chapter II. The Genesis of Demons

Chapter III. Degradation

Chapter IV. The Abgott

Chapter V. Classification

Part II. The Demon

Chapter I. Hunger

Chapter II. Heat

Chapter III. Cold

Chapter IV. Elements

Chapter V. Animals

Chapter VI. Enemies

Chapter VII. Barrenness

Chapter VIII. Obstacles

Chapter IX. Illusion

Chapter X. Darkness

Chapter XI. Disease

Chapter XII. Death

Part III. The Dragon

Chapter I. Decline of Demons

Chapter II. Generalisation of Demons

Chapter III. The Serpent

Chapter IV. The Worm

Chapter V. Apophis

Chapter VI. The Serpent in India

Chapter VII. The Basilisk

Chapter VIII. The Dragon’s Eye

Chapter IX. The Combat

Chapter X. The Dragon-slayer

Chapter XI. The Dragon’s Breath

Chapter XII. Fate

Part IV. The Devil

Chapter I. Diabolism

Chapter II. The Second Best

Chapter III. Ahriman: The Divine Devil

Chapter IV. Viswámitra: The Theocratic Devil

Chapter V. Elohim and Jehovah

Chapter VI. The Consuming Fire

Chapter VII. Paradise and the Serpent

Chapter VIII. Eve

Chapter IX. Lilith

Chapter X. War in Heaven

Chapter XI. War on Earth

Chapter XII. Strife

Chapter XIII. Barbaric Aristocracy

Chapter XIV. Job and the Divider

Chapter XV. Satan

Chapter XVI. Religious Despotism

Chapter XVII. The Prince of this World

Chapter XVIII. Trial of the Great

Chapter XIX. The Man of Sin

Chapter XX. The Holy Ghost

Chapter XXI. Antichrist

Chapter XXII. The Pride of Life

Chapter XXIII. The Curse on Knowledge

Chapter XXIV. Witchcraft

Chapter XXV. Faust and Mephistopheles

Chapter XXVI. The Wild Huntsman

Chapter XXVII. Le Bon Diable

Chapter XXVIII. Animalism

Chapter XXIX. Thoughts and Interpretations

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Moncure D. Conway

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M. François Lenormant has written an extremely instructive chapter in comparison of the Accadian and the Finnish mythologies. He there shows that they are as one and the same tree, adapted to antagonistic climates.7 With similar triad, runes, charms, and even names in some cases, their regard for the fire worshipped by both varies in a way that seems at first glance somewhat anomalous. The Accadians in their fire-worship exhausted the resources of praise in ascription of glory and power to the flames; the Finns in their cold home celebrated the fire festival at the winter solstice, uttered invocations over the fire, and the mother of the family, with her domestic libation, said: ‘Always rise so high, O my flame, but burn not larger nor more ardent!’ This diminution of enthusiasm in the Northern fire-worshipper, as compared with the Southern, may only be the result of euphemism in the latter; or perhaps while the formidable character of the fire-god among the primitive Assyrians is indicated in the utter prostration before him characteristic of their litanies and invocations, in the case of the Finns the perpetual presence of the more potent cold led to the less excessive adoration. These ventured to recognise the faults of fire.

The true nature of this anomaly becomes visible when we consider that the great demon, dreaded by the two countries drawing their cult from a common source, represented the excess of the power most dreaded. The demon in each case was a wind; among the Finns the north wind, among the Accadians the south-west (the most fiery) wind. The Finnish demon was Hiisi, speeding on his pale horse through the air, with a terrible train of monster dogs, cats, furies, scattering pain, disease, and death.8 The Accadian demon, of which the bronze image is in the Louvre, is the body of a dog, erect on eagle’s feet, its arms pointed with lion’s paws; it has the tail of a scorpion and the head of a skeleton, half stripped of flesh, preserving the eyes, and mounted with the horns of a goat. It has four outspread wings. On the back of this ingeniously horrible image is an inscription in the Accadian language, apprising us that it is the demon of the south-west wind, made to be placed at the door or window, to avert its hostile action.

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