A Commonplace Book of Thoughts, Memories, and Fancies
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Mrs. (Anna) Jameson. A Commonplace Book of Thoughts, Memories, and Fancies
A Commonplace Book of Thoughts, Memories, and Fancies
Table of Contents
PREFACE
PART I. Ethics and Character
Theological
PART II. Literature and Art
LIST OF ETCHINGS
PART I. Ethics and Character
Ethical Fragments. 1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16. Thoughts on a Sermon
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
128
129
A REVELATION OF CHILDHOOD (FROM A LETTER.)
121
THE INDIAN HUNTER AND THE FIRE (FROM THE GERMAN.)
LINES.—1840
Theological Fragments
1. THE HERMIT AND THE MINSTREL (A PARABLE, FROM ST. JEROME.)
2
3
4
5
6
7
8
9
10
11
12
NOTES FROM VARIOUS SERMONS, MADE ON THE SPOT; SHOWING SOME THINGS IN WHICH ALL GOOD MEN ARE AGREED. I. From a Roman Catholic Sermon
II. From another Roman Catholic Sermon, delivered in the private chapel of a Nobleman
III. Fragments of a Sermon (Anglican Church)
IV
V. From a Sermon (apparently extempore) by a Dissenting Minister
VI
VII. RELIGION AND SCIENCE
PART II. Literature and Art
Notes from Books. 1
2
DR. ARNOLD. 3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
NIEBUHR. LIFE AND LETTERS, 1852. 26
27
28
29
30
31
32
33
34
35
36
37
38
CHARACTER OF DEMADES (FROM NIEBUHR’s LECTURES.) 39
LORD BACON (1849.) 40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
CHATEAUBRIAND (“MEMOIRES D’OUTRE TOMBE.” 1851.) 57
58
59
60
61
62
63
64
65
66
67
68
69
70
BISHOP CUMBERLAND. BISHOP OF PETERBOROUGH IN 1691. 71
72
73
74
COMTE’S PHILOSOPHY. 1852. 75
76
77
78
79
80
81
82
83
84
85
86
GOETHE (DICHTUNG UND WAHRHEIT.) 87
88
89
HAZLITT’S “LIBER AMORIS.” 1827. 90
91
92
93
THE NIGHTINGALE. 94
THACKERAY’S LECTURES ON THE ENGLISH HUMORISTS (1833.) 95
Notes on Art. 96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
A FRAGMENT ON SCULPTURE. AND ON CERTAIN CHARACTERS IN HISTORY AND POETRY CONSIDERED AS SUBJECTS OF MODERN ART. 1848
HELEN
PENELOPE. ALCESTIS. LAODAMIA
HIPPOLYTUS. NEOPTOLEMUS
IPHIGENIA
EVE
ADAM
ANGELS
MIRIAM. RUTH
CHRIST. SOLOMON. DAVID
HAGAR. REBEKAH. RACHEL
THE QUEEN OF SHEBA
LADY GODIVA
JOAN OF ARC
CHARACTERS FROM SHAKSPEARE
CHARACTERS FROM SPENSER
THE LADY. COMUS
SATAN
FOOTNOTES:
Отрывок из книги
Mrs. Jameson
2nd ed
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While we were discussing Balzac’s celebrity as a romance writer, she (O. G.) said, with a shudder: “His laurels are steeped in the tears of women—every truth he tells has been wrung in tortures from some woman’s heart.”
Sir Walter Scott, writing in 1831, seems to regard it as a terrible misfortune that the whole burgher class in Scotland should be gradually preparing for representative reform. “I mean,” he says, “the middle and respectable classes: when a borough reform comes, which, perhaps, cannot long be delayed, ministers will no longer return a member for Scotland from the towns.” “The gentry,” he adds, “will abide longer by sound principles, for they are needy, and desire advancement for themselves, and appointments for their sons and so on. But this is a very hollow dependence, and those who sincerely hold ancient opinions are waxing old,” &c. &c.
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