pH: A Novel

pH: A Novel
Автор книги: id книги: 1588295     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1116,45 руб.     (12,07$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Современная зарубежная литература Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781513260693 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Описание книги

The manuscript for this book was just one of the top five finalists for the 2015 Siskiyou Prize for New Environmental Literature. Although this novel is imaginative and humorous, the science supporting it is authentic. pH is cutting edge Cli-Fi (named hottest reading trend by Sierra Magazine 2014) and will interest anyone who loves the nature. It will also appeal to fans of science art or art based in science and the connections among science, art, and culturally‐defined beliefs are major themes. The book will include an author Q&A and reading group discussion questions. Like JIMMY BLUEFEATHER, this novel is full of quirky characters and their relationships and beautifully crafted, breathtaking descriptions of nature. Nancy is passionate about place, history, and the natural environment. She is actively engaged in conservation and community-building causes across the United States. She recently completed ten years as a trustee of the Alaska Conservation Foundation.

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Nancy Lord. pH: A Novel

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“Sometimes it takes fiction, more than facts, to hear the hard truth. In Nancy Lord’s pH, a cli-fi (climate fiction) novel about climate change and its evil cousin, ocean acidification, we meet likeable and quirky characters dedicated to science and art while trapped in a system seduced by money. I learned a lot from this daring novel. And I laughed. Not a bad way to spend one’s time: buried in creativity, learning and laughing.”

—KIM HEACOX, author of Jimmy Bluefeather and John Muir and the Ice That Started a Fire

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The CTD drop at the first station went well. When the bottles were back onboard, the three women took their places on overturned buckets, like milkmaids around a cow, to siphon off samples—carbonate, nutrient, chlorophyll. In the wet lab, Alex had finished assembling his towers and was setting filters in place. Ray passed through to the dry lab, where Nastiya and Marybeth were back to work with samples from the first plankton tow. On their high stools, they peered into microscopes while their hands fluttered with eyedroppers and tally counters.

Ray had now entered his realm, the world of living zooplankton. Though he was dedicated to the study of marine organisms overall, there was nothing that excited him more than the tiny, footed, flagellated, ciliated, bristled, tentacled, transparent creatures, in all their life-cycle stages, all the way up to pulsing jellyfish as large as the reflected moon. It had become a primary goal in his life to encourage as many people as possible to look at his microfauna, to know that they existed. If ordinary people could admire their great beauty, maybe they would want to learn more about them, and maybe they would begin to understand why it was important for such creatures to have a home in the ocean. With his photographs, shot through the lens of a microscope, he was able to capture and enlarge the tiny larval forms of fish, the amphipods, the copepods, the microzooplankton radiolarians with their incredibly intricate mineral skeletons, and the shelled pteropods known as sea butterflies.

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