The Phantom Tree

The Phantom Tree
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Описание книги

‘There is much to enjoy in a sumptuous novel that slips between present day and 1557.’ Sunday Mirror“My name is Mary Seymour and I am the daughter of one queen and the niece of another.”Browsing antiques shops in Wiltshire, Alison Bannister stumbles across a delicate old portrait – supposedly of Anne Boleyn. Except Alison knows better… The woman is Mary Seymour, the daughter of Katherine Parr who was taken to Wolf Hall in 1557 as an unwanted orphan and presumed dead after going missing as a child.The painting is more than just a beautiful object from Alison’s past – it holds the key to her future, unlocking the mystery surrounding Mary’s disappearance, and the enigma of Alison’s son.But Alison’s quest soon takes a dark and foreboding turn, as a meeting place called the Phantom Tree harbours secrets in its shadows…*************************************************************Readers love Nicola Cornick:‘Alluring and hypnotising… I was hooked from page one.’‘A haunting and mesmerising story.’‘Atmospheric and filled with tension and danger.’‘Full of dark twists and spooky turns. Brilliantly written, unguessable and page-turning.’‘Spellbinding, with a narrative that left me bewitched. Not to be missed!’‘A fabulous read. I was completely enthralled, and kept guessing throughout.’

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Nicola Cornick. The Phantom Tree

Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

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NICOLA CORNICK is a historian and author. She studied at London University and Ruskin College Oxford and works for the National Trust as a guide at the seventeenth-century hunting lodge Ashdown House in Oxfordshire. Her award-winning books are international bestsellers and have been translated into 26 languages.

NAPOLEON BONAPARTE

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Alison sat down abruptly in a flimsy-looking white plastic chair that she thought was probably part of an art installation. It creaked.

‘You look quite done up,’ the gallery owner said kindly. ‘Can I get you a cup of tea? It helps, you know.’

.....

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