The Kingdom and the Republic

The Kingdom and the Republic
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In 1823, as the first American missionaries arrived in Hawai'i, the archipelago was experiencing a profound transformation in its rule, as oral law that had been maintained for hundreds of years was in the process of becoming codified anew through the medium of writing. The arrival of sailors in pursuit of the lucrative sandalwood trade obliged the ali'i (chiefs) of the islands to pronounce legal restrictions on foreigners' access to Hawaiian women. Assuming the new missionaries were the source of these rules, sailors attacked two mission stations, fracturing relations between merchants, missionaries, and sailors, while native rulers remained firmly in charge. In The Kingdom and the Republic , Noelani Arista (Kanaka Maoli) uncovers a trove of previously unused Hawaiian language documents to chronicle the story of Hawaiians' experience of encounter and colonialism in the nineteenth century. Through this research, she explores the political deliberations between ali'i over the sale of a Hawaiian woman to a British ship captain in 1825 and the consequences of the attacks on the mission stations. The result is a heretofore untold story of native political formation, the creation of indigenous law, and the extension of chiefly rule over natives and foreigners alike. Relying on what is perhaps the largest archive of written indigenous language materials in North America, Arista argues that Hawaiian deliberations and actions in this period cannot be understood unless one takes into account Hawaiian understandings of the past—and the ways this knowledge of history was mobilized as a means to influence the present and secure a better future. In pursuing this history, The Kingdom and the Republic reconfigures familiar colonial histories of trade, proselytization, and negotiations over law and governance in Hawai'i.

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Noelani Arista. The Kingdom and the Republic

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The Kingdom and the Republic

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The Hawaiian islands appear out of the darkness (pō) of the ocean depths. This pō is most likely connected to lipo, the blue-black oceanic band stretching to the horizon, marking out the extremity of the ocean south at Kahiki moe. The pō of this chant brings to mind the Kumulipo, or origin in deep darkness—a Hawaiian genealogical chant in which all creatures and plants in existence are born. First among all things born in the world is the coral polyp, spawning in the ocean. The chant moves through successive generations of plants and animals, gods, chiefs, and people, ending with the naming of stars and the genealogies’ penultimate chief, Lonoikamakahiki. This darkness of origin, this pō, especially when connected to chiefs in Hawaiian and Polynesian conceptualization, is a positive, profound, and sacred expression of the ancient origin of a chief’s lineage and mana.34

As each island appears over the curve of the horizon, the sight of the islands set out in a row (lālani) becomes clear to the navigator: an archipelago set out as one border of the known world—Hawai‘inuiākea, large, widespread, and fertile Hawai‘i. The word, lālani, that describes the position of islands set out in a row is a word also used to describe ranks of soldiers, as well as lines of ali‘i (chiefs) arrayed by kapu and rank, perhaps while assembled for heiau (temple) ritual, or on formal speaking occasions or other public gatherings, including celebrations, folding both island and people into one evocative word image.

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