Merkland: or, Self Sacrifice
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Оглавление
Oliphant Margaret. Merkland: or, Self Sacrifice
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER XXXI
Отрывок из книги
THE October sun rose brilliantly upon ancient Edinburgh, throwing the strong radiance of its russet gold upon the noble outline and antique grandeur of the historic city, and shone joyously into a family room, where a small household round their breakfast table were discussing the journey which that fair-haired, smiling girl, half-timorous, half-exultant, was to undertake that day. The white hair upon the mother’s placid forehead was belied by the fresh cheek and dewy liquid eye, from which time had not taken the brightness. Her son was entering upon the strongest years of manhood, with sense and intelligence shining in his face. Her daughter was a girl, just emerging from the child’s mirth and unrestrained gaiety, into those sensitive, imaginative years, which form the threshold of graver life —
“But, mother,” exclaimed Alice Aytoun, suddenly, “Miss Douglas will see at once that Bessie has not been my maid at home.”
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Anne Ross felt herself shrink and tremble from the touch of the small soft hand, the innocent frank look of the girlish face – the child of the slain man, whose blood was on Norman’s hand.
A strange contrast – the little throbbing happy heart, whose slight fears, and shy apprehensions, scarcely graver than a child’s, had trembled and palpitated so short a time before, in the same vehicle which carried down to Merkland, so grave a burden of grief, so few hopes, so many sorrows, in Anne’s maturer spirit – for before her there lay no brilliant heritage of unknown good to come. One vision was in her very heart continually – a wandering, sorrowing, sinning man, buffeting the wind, striving through the tempest, enveloped with every physical attribute of misery, and carrying its essence in his soul. It is only those who have mourned and yearned for such, who can know how the sick heart, in its anxious agonies, conjures up storm, and blast, and desolation, to sweep around the beloved head, of whose sin and wanderings it knows, yet knows not where those wanderings are – the pain without, symbolizing and heightening the darker pain within, with one of those touches of tragic art, which grief does so strangely excel in.
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