No Longer Human

No Longer Human
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Перевод: Mary FoxNo Longer Human (1948, Ningen Shikkaku / A Shameful Life/ Confessions of a Faulty Man) was an attack on the traditions of Japan, capturing the postwar crisis of Japanese cultural identity. Framed by an epilogue and prologue, the story is told in the form three notebooks left by Ōba Yōzō, whose calm exterior hides his tormented soul. Osamu DAZAI was a Japanese author who is considered one of the foremost fiction writers of 20th-century Japan. A number of his most popular works, such as Shayō (The Setting Sun) and Ningen Shikkaku (No Longer Human), are considered modern-day classics in Japan. Japanese novelist and a master storyteller, who became at the end of World War II the literary voice and literary hero of his generation. Dazai's life ended in double-suicide with his married mistress. In many books Dazai used biographical material from his own family background, and made his self-destructive life the subject of his books.

Оглавление

Osamu Dazai. No Longer Human

Introduction

Part One

Part Two

Part Three

Epilogue

Osamu Dazai

Отрывок из книги

Generally, my whole life consisted of embarrassment. I have never managed to understand what human life is. I was born in a village in the north-east of the country. I saw a train for the first time in my life when I was an adult. I considered railway overpasses to be an amusement built in a foreign style at some ingenious whim; although I used them a lot of times I still couldn't get used to the idea that their purpose was just for a safe crossing over the railway tracks. On more than one occasion, when I was going up or down the overpass, I felt as if I was on a fancy amusement. I considered it to be the most pleasant service delivered by the railway and when later I realised that the overpass was just a bridge over tracks, in other words, a construction of very practical use, I stopped being interested in them.

I remember once when I was a child, I saw a metro in a book, and also for a long time I considered it to be not a transport created for practical use, but an exciting amusement. How fabulous is that to have a ride on a train underground!

.....

Of course, nobody enjoys being told off, or to be the reason for somebody's anger. But in a deformed-by-crossness human face, I see a real animal heart, and this animal-human seems to me, worse tempered than a lion, a crocodile or a dragon. Usually, people tend to hide their animal temper very deeply, but sometimes it shows itself, like a napping cow that browses lazily, and then suddenly hits a gadfly on a barrel with its tail. I shake whenever I see a man's awaken animal; the hair stands up like a mountain. Is anger an inevitable fellow traveller of a man in his life’s journey? This thought always made me feel helpless.

People always plunged me into horror. I even believed that I hadn't succeeded as a man, and as a result, I hid my torment in my heart of hearts.I tried hard to mask the melancholy and nervousness by wrapping myself in naive optimism and becoming an even bigger buffoon.

.....

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