The Picture of Dorian Gray

The Picture of Dorian Gray
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"The Picture of Dorian Gray" (1891), by Oscar Wilde, was first published as a serial story in the July 1890 issue of «Lippincott's Monthly Magazine». As submitted by Wilde to the magazine, the editors feared the story was indecent, and deleted five hundred words before publication – without Wilde's knowledge. Despite that censorship, «The Picture of Dorian Gray» offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding the public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press.
Wilde revised and expanded the magazine edition of «The Picture of Dorian Gray» (1890) for publication as a novel; the book edition (1891) featured an aphoristic preface – an apologia about the art of the novel and the reader. The content, style, and presentation of the preface made it famous in its own literary right, as social and cultural criticism. In April 1891, the editorial house Ward, Lock and Company published the revised version of «The Picture of Dorian Gray».
The only novel written by Wilde, «The Picture of Dorian Gray» exists in two versions, the 1890 magazine edition and the 1891 book edition, the story he submitted for serial publication in «Lippincott's Monthly Magazine». As literature of the 19th century, «The Picture of Dorian Gray» is an example of Gothic fiction with strong themes interpreted from the legendary «Faust».

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Oscar Wilde. The Picture of Dorian Gray

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Chapter 1

The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.

.....

"Harry, don't talk like that. As long as I live, the personality of Dorian Gray will dominate me. You can't feel what I feel. You change too often."

"Ah, my dear Basil, that is exactly why I can feel it. Those who are faithful know only the trivial side of love: it is the faithless who know love's tragedies." And Lord Henry struck a light on a dainty silver case and began to smoke a cigarette with a self-conscious and satisfied air, as if he had summed up the world in a phrase. There was a rustle of chirruping sparrows in the green lacquer leaves of the ivy, and the blue cloud-shadows chased themselves across the grass like swallows. How pleasant it was in the garden! And how delightful other people's emotions were! – much more delightful than their ideas, it seemed to him. One's own soul, and the passions of one's friends – those were the fascinating things in life. He pictured to himself with silent amusement the tedious luncheon that he had missed by staying so long with Basil Hallward. Had he gone to his aunt's, he would have been sure to have met Lord Goodbody there, and the whole conversation would have been about the feeding of the poor and the necessity for model lodging-houses. Each class would have preached the importance of those virtues, for whose exercise there was no necessity in their own lives. The rich would have spoken on the value of thrift, and the idle grown eloquent over the dignity of labour. It was charming to have escaped all that! As he thought of his aunt, an idea seemed to strike him. He turned to Hallward and said, "My dear fellow, I have just remembered."

.....

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